
Life - Fear Not
2015 · 23m · Soap

2015 · 23m · Soap

2001 · ★ 6.5
Lily McAllister has lived a charmed life as part of the most powerful family in the upscale Southern California enclave of Pasadena. All that changes, however, when a murder and coverup in her own mansion thrusts Lily into a search to unlock her family's long-buried secrets.
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1987 · ★ 7.6
Degrassi Junior High is a Canadian CBC Television teen drama series that was produced from 1987-1989 as part of the Degrassi series. The show followed the lives of a group of students attending the titular fictional school. Many episodes tackled difficult topics such as drug use, child abuse, teenage pregnancy, homosexuality, homophobia, racism, and divorce, and the series was acclaimed for its sensitive and realistic portrayal of the challenges of teenage life. The cast comprised mainly non-professional actors, which added to the show's sense of realism. The series featured many of the same actors who had starred on The Kids of Degrassi Street a few years earlier, including Stacie Mistysyn, Neil Hope, Anais Granofsky, Sarah Charlesworth and others. However, their character names and family situations had been changed, so Degrassi Junior High cannot, therefore, be considered a direct spinoff. The legal counsel for all the episodes was Stephen Stohn who later became the executive producer of Degrassi: The Next Generation. The series was filmed at the unused Vincent Massey Public School in Etobicoke, Ontario.
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1997 · ★ 7.8
Port Charles is an American television. It is a spin-off of the serial General Hospital In the first few years, Port Charles got a reputation for focusing most of its energies on the medical school program, setting more of its main action at Port Charles' General Hospital than was seen on the parent show, General Hospital. As it evolved, it turned its focus to stories with gothic intrigue that included themes such as forbidden love, vampires, and life after death. It also abandoned the basic open-ended writing style used on all other daytime dramas in December 2000, instead creating thirteen-week story arcs. This type of storytelling is a staple of Latin telenovelas. It also allowed the cast, crew, and writing staff to only work six months out of the year.
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