Swyngomatic Blues
1999
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1960 · ★ 6.6
The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.
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2024
After a long and cold night, Oog the caveman does a discovery that will change history forever.
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2021
Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.
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2019
Inspired by the works of Bertolt Brecht, this film explores what his style of theatre might look like on film.
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![Eme (o dos historias sobre [cómo] soltar)](https://image.tmdb.org/t/p/w342/uSlLcIoYdFIkl2r3J8YUq9DeItJ.jpg)
Eme (o dos historias sobre [cómo] soltar)
2023 · ★ 9
Two stories about different ways two people overcome loss; which may or may not be connected.
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b.longing
2024
A dialogue and home video about belonging, from young people living in modern colonial society.
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1977
Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.
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Whitewash
1973
Lynsey Martin’s work includes the use of collage and its erasure, the grain of the photographic image and handpainting and drawing imagery directly on the film surface. Martin deals with the graphic and material elements of the filmstrip, the nature of filmic movement and the nature of photography in public space.
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Experimental film using fireworks, often superimposed and in soft focus, printed in negative form with a black image on a white background. Plucked piano strings reversed xylophone and cymbal with an electronic vibrato effect form the background sound effects.
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The Smell of Lilac
2025
This experimental film is a metaphysical journey through memories. It is a melancholic reflection on childhood and the fragility of personal sacred places. The concept: the main character is an object, not a subject, which the audience spends 24 hours with, exploring the possibility of a script without conventional elements.
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