
Coal
2021 · 1m
The record of a person shoveling coal, processed, reprinted or animated in a film as brief as it is full of layers.
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PALE ANGUISH KEEPS
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P.A.K. is an intensely personal document expressing the alienation, pain, and trauma of a prison experience. Using techniques of German expressionism, it examines the social and institutional forces that inform one's subjective self-definition. Stark contrasts, are combined with harsh prison reality with escape into the fantasy, beauty, and grace of classical ballet. The conflict is underscored by elements of the sound track: reverberating prison noises, the uncompromising music of punk rock and voice-over readings from the poetic works of notable writers and political prisoners Oscar Wilde and Breyton Bretonbach.
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Elephant in a Haystack
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From the primitive touch to a 'twist, press, click'—— Piles of images generate and decay into the soil, they are the real flesh, also the intangible memory.
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Faust
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Three artists across three generations are haunted by the demon Mephistopheles in an absurdist reconstruction of the Faustian legend.
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Divine Intervention
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Divine Intervention explores the journey of a woman tormented by the entanglement of her hair, seeking solace through a spiritual guide. Together, they employ a unique technique to enter her consciousness, aiming to uncover the root of her distress. The Yuan Shen Palace, also known as the House of the Mind, is depicted as a virtual world constructed by the brain. If it truly exists, it might function like a vast organic hard drive, recording the intricate details of one’s life. The film strives to rationalize magic and symbolize the process of spiritual healing.
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just a fleeting memory.
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The desolation of vast retail spaces is not so far off from the decay of one's memories.
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The Dream Machine
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A woman experiments with a Dreamachine, hoping to escape trouble. Within the light and dark of the machine, violent emotions awaken.
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Metamorphosis
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According to thermodynamics, a metastable system subject to external perturbations will change until a new equilibrium state is reached. Isn’t then such a system similar to a dramatic structure?
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AU PLUS PROFOND DE SOI
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3 short films made from old and new projects footage reassembled, and photographs taken during the last few months.
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A Dark Room
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Tracing the faded time of those who once turned the pages Chŏng Yagyong(1762-1836)’s Chil Shil Gwan Hwa Seol (On Viewing Paintings from the Dark Chamber). In a dark room of their own, they steep tea, mend fragments with thread, and enfold them in bojagi cloth—crafting a cinema that was unseen.
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