Cavalcade of Archery
★ 6.8 · 1946 · 8m · History · Documentary
This short tells the story of archery through the ages, mostly using Warner Brothers archive footage. Noted archer Howard Hill demonstrates his skills with various trick shots.
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1986 · ★ 6.9
Heavy Metal Parking Lot documents heavy metal music fans tailgating in the parking lot outside the Capital Centre (since demolished) in Landover, Maryland, on May 31, 1986, before a Judas Priest concert (with opening act Dokken).
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Mom, I'm Not A Girl: Raising a Transgender Child
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A mother speaks about raising her son Penelope, who had been assigned female at birth.
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This short film presents a discussion about the role of merchants on Fogo Island, and of the feasibility of cooperatives.
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Amarillo By Morning
1998 · ★ 6.2
While filming professional bullriders for a commercial at the national rodeo in Houston, Texas, Spike Jonze befriended two suburban teenagers who aspired to be cowboys. The documentary chronicles an afternoon in their lives.
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As Pinturas do Meu Irmão Júlio
1965 · ★ 6.2
The camera shows the vivid paintings by late Júlio Régio, with a narrative by his brother, while guitar tunes underline the mood and rhythm of the cinematography.
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Vergot
2016 · ★ 5.2
Two brothers, an exuberant father and an invisible mother. A family of farmers from an Alpine valley where life is rude, as well as manners. The younger son, Gim, is discovering his homosexuality, but the world around him, especially his father, just can't accept that. So the elder son Alex is stuck in the middle, on one hand encouraging Gim to overcome all his fears, on the other trying to continue the tradition of the fathers. In such an exasperated context is hard to recognize the love hidden behind. Will they be able to keep on living together?
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Jackson Pollock 51
1951 · ★ 7
Artist Jackson Pollock is seen at work painting a large canvas, then later on painting on a large sheet of glass.
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The Song of Stone
1963 · ★ 6.5
While extracting and polishing their blocks of stone, stonecutters used to say “the stone is coming to life". This paradox provided Matsumoto with the best metaphor for what making a film is all about. In his opinion, filmmakers work images in the same way that stonecutters work stones.
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