Pergamen, zlato, kůže

Adelene Koh - Dddots

2016 · ★ 7.1

Adelene Koh, one of the few, if not the only, local hand bookbinders in Singapore. In her words, “Making books is an art. Nothing beats holding a book in your hand, feeling its cover, turning its pages and even smelling the paper. When you write or draw into a journal, it is forever and leaves your touch in it. When you have a book that is handmade, you know that you are holding something that is made, with heart and soul, by a bookbinder.”

Smoking Guns

2016 · ★ 5.5

A young gambler makes a large, risky bet on a horse race. When the odds turn in his favour, more than one party has sudden interest in the winning betting slip, and they'll do anything to get their hands on it.

Bookies

2003 · ★ 6.4

Four college friends become small-time bookies, only to find their world spinning dangerously out of control when their greed attracts the attention of organized crime.

The Ex-Mrs. Bradford

1936 · ★ 6.2

A doctor is driven into an investigation of sinister goings-on at a horse race track by his mystery writer ex-wife.

The Bowery

1933 · ★ 5.4

"In the Gay Nineties New York had grown up into bustles and balloon Sleeves ... but The Bowery had grown younger, louder and more rowdy until it was known as the 'Livest Mile on the face of the globe' ... the cradle of men who were later to be famous.

The Florentine

1999 · ★ 5.7

A slice-of-life story unfolds inside The Florentine, a bar in a Pennsylvania steel town whose brightest days are behind it, leaving behind many of life's disillusioned "losers." Its owner, Whitey, is deep in debt to the town's loan shark, Joe McCollough, and desperate for a path forward which won't cost him the bar. His sister, Molly, is days away from her long-awaited nuptials, and then her former fiancé, Teddy, shows up in town for the first time since leaving her at the altar years before. Ne'er-do-well Billy Belasco runs a con on Frankie to steal the money for the wedding caterer, while long-time regular Bobby becomes a patron-cum-inhabitant as he hides from his fast-crumbling marriage to Vikki. Every plot in this multi-layered story seems to be at its nadir just as a pair of unlikely heroes emerge out of the backdrop to turn everything around.

One Night Only

2016 · ★ 6

A gambler, fresh out of prison, and a beautiful hooker find themselves caught in an underground scheme that's spinning wildly out of control.

Marcapáxinas (ou como perder o fío da lectura)

No synopsis available.

More Art Upstairs

2017 · ★ 5.7

A revolution is taking place in the art world and it isn’t happening in Paris, Berlin or Hong Kong—but in Grand Rapids, Michigan. ArtPrize is the most highly attended art show in the world, and it awards cash prizes larger than all other competitions combined. International critics and general crowds pack bars, galleries and abandoned buildings all over town, taking in over 1,500 works from cerebral conceptualists and weekend hobbyists. An acclaimed jury awards a winner $200,000 and the ballot-carrying public does the same. Nimble cameras follow four artists, each vying not only for critical recognition but for every public vote they can drum up. Part classy game show, part engaging art exploration, More Art Upstairs captures the debates ArtPrize has intentionally (or inadvertently?) triggered: Can culture be democratized? Do artists need or want to connect with audiences? And is the canonical art establishment on its way out? (Myrocia Watamaniuk)

Rouen, naissance d'une cité

1939

The destruction of the city and its architectural heritage during the Allied bombing of the Second World War.

Entre les lignes

No synopsis available.

My Friend Pınar

2024

Pınar Gültekin went missing on July 16, 2020, in the Ula district of Muğla, and her lifeless body was found on July 21, 2020, in a rural forested area of the Menteşe district. The murderer, Cemal Metin Avcı, first wounded Pınar, then burned her, and finally poured concrete over her body. Through Pınar’s case and historical precedents, the film exposes how impunity perpetuates these crimes while highlighting women’s hard-won legal victories and solidarity networks. It juxtaposes the brutality of her murder with her friends’ relentless campaign to preserve her memory, framing their activism as part of a broader feminist resistance. By connecting individual trauma to systemic failure, the film challenges viewers to confront both the roots of gender violence and the transformative power of collective struggle, where mourning becomes mobilization, and loss fuels demands for justice.