Que faire ?
1993 · 58m · Documentary
How did the end of the Soviet Union change the way of thinking, the way of behaviour of militant French Communists ? For the first time and during several months meetings of a Communist Party cell in one of Paris' industrial suburbs were filmed by André Van In. Set against these meetings, the militants are filmed discussing their commitments, their dreams, their mistakes. Beyond questions about power or the political machinery, they share their faith in militancy and their hopes for a fairer society.
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Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.
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The full-length television documentary, using currently found audio-visual records, tells the story of the fabricated political process from November 1952, the story of its victims and its masterminds. At its end, 11 executed high-ranking officials of the Communist Party of the Czech Republic, committed to the communist party, who mechanically "recited" memorized confessions and accusations of "accomplices", former friends and colleagues in front of the court in response to prearranged questions from the prosecutors and judges.
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Four lucid grandmothers tell their story forgotten by history: the militancy and resistance of the young women of the leftist youth against the dictatorship of Marcos Pérez Jiménez.
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Charlie Marx and the Chocolate Factory
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Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.
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Let The Summer Pass
1972
A public service announcement condemning the ominous obstacle of social parasitism and delinquency amongst wayward youth unwilling to contribute to Romania’s socialist advancement.
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Children of the Decree
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Procreation is the social duty of all fertile women, was the political thinking during the 1960s and 1970s in Romania. In 1966, Ceaucescu issued Decree 770, in which he forbade abortion for all women unless they were over forty or were already taking care of four children. All forms of contraception were totally banned. The New Romanian Man was born. By 1969, the country had a million babies more than the previous average. Romanian society was rapidly changing. By using very interesting archival footage and excerpts from old fiction films and by interviewing famous personalities from that time – gynecologists or mothers who were part of the new society - the director revives this period of tremendous oppression of personal freedom. Many deaths were caused by the mere fact that women, including wives of secret Romanian agents, famous TV presenters, and actresses, had to undergo illegal abortions. Many women were jailed for having them.
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2017 · ★ 4.9
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Jesus Was a Commie
2011
Jesus Was a Commie presents modern society with questions and leads the audience on a dialectical journey. The film challenges the viewer to seek their own answers and personal truths.
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