4 Seasons 1 Day
2023
A naturalistic snapshot of the southern countryside.
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Avelino's Arrival
2025
Two friends await in the airport for a third friend to arrive. As the passangers come by, pictures not taken accompany a conversation between the two friends.
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The Idiot Girl
A girl and an older man discuss the nature of reality while doing chores on a pig farm.
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Subterranean
2021
Returning to his hometown one last time, a wayward love rat reignites friendships and reopens old wounds in one self-destructive weekend.
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a moment
2024
Our lives are collections of instants, with impacts large and small, that entwine to create our story.
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Kitsch in Synch
1975
The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.
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Ungentle
2022 · ★ 6.1
A fictionalised essay read by Ben Wishaw exploring the complicated relationship between British espionage and male homosexuality. An anonymous narrator talks through the various chapters of his life as a spy and a gay man in late 20th-century Britain. His vivid stories of intimacy and surveillance play out over shots of the luscious countryside, busy Central London streets, and nighttime cruising zones.
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Color
1955
Perhaps the first experimental color film made in Uruguay, Color was the work of a pioneering woman filmmaker, still a teenager at the time of the film's completion. Millán had a number of vérité shorts under her belt by this point, but none in such gorgeous color.
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the ground is bleeding light (indemini – sant’abbondio)
the ground is bleeding light is the title of an ongoing series of cinematic diaries that emerge from an intuitive process of observation and movement. Each film follows a different long-forgotten path, one of many ancient roads and crossroads that once formed a network connecting human settlements and still function today as invisible signposts through the landscape. This work was created between Indemini and Sant'Abbondio. The footage is partly self-referential, showing me and my working process in moments of interaction between body, camera, and terrain, guided by light, weather, and chance. The sound is a composition of collected sounds recorded during the walks, including the voices of a church choir in Indemini. The 16 mm material was hand-processed on site in a hybrid development process using plants, fungi, and water collected at the locations visited. The films become carriers of the landscape itself, living archives of earth, movement, and memory.
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