Erotographie
2002 · Documentary
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Fashion News
1930
In this color short, Albert Conti brings Mary Carlisle inside a studio to see some new outfits available at J.J. Haggarty’s, Los Angeles.
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Jirón
2014 · ★ 7
Jirón is the story of “Jirón de niebla” (Shred of Fog), the last film made by Mexico’s duque of horror, Carlos Enrique Taboada, which, for several reasons, was never shown or premiered. The mistery behind the disappearance of this film will be revealed in a series of interviews with the people who worked on it.
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Sperduti nel buio
2014
Documentary about the lost 1914 film "Sperduti nel buio". Film historian Denis Lotto journeys across Europe following the trail of the lost movie.
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Wise Guys: The Lost Show
2022
During the COVID-19 pandemic, two college students set out to make a revolutionary television show. The pilot episode was uncovered and presented alongside exclusive interviews with the cast and crew.
More info →The Surprise Fight
1925
Episode #5 in the Flying Fists series featuring real-life boxer Benny Leonard.
More info →Soft Muscles
1925
Third installment of the "Flying Fists" silent series with boxer Benny Leonard in the lead.
More info →Hitting Hard
1925
The second of six episodes in the "Flying Fists" boxing series sometimes listed as "Hit Hard" starring pugilist Benny Leonard.
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Time in the Sun
1940 · ★ 6
Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.
More info →Battle of Santiago Bay
1898 · ★ 2
Vitagraph’s Battle of Santiago Bay (1898) blended real Spanish–American War footage with tabletop trickery. Albert E. Smith’s authentic San Juan material looked underwhelming, so he and partner J. Stuart Blackton staged the naval clash on a miniature set: cardboard ships afloat in shallow water, firecracker “explosions,” and clouds of smoke from cigars and cigarettes. Spliced together, the hybrid film was embraced as genuine by audiences and became one of the most popular war films of its day.
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