Indian Scene of Procession
1903 ยท 3m ยท Documentary
Stately scenes in India, likely filmed during the 1903 Delhi Durbar.
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2004
Vaastu Marabu documents the theory and practice of the Vaastu tradition of Indian art, architecture, craft and design. One of the foremost shilpis (designer-builder-sculpter) of India, Shri. V. Ganapati Sthapati of Mammallapuram, meditates on his art and his occupation. The film shows the process of making stone idols at Mammallapuram, near Madras, of casting bronzes in Kumbakonam, and of building stone temples at Kamudhi, near Madurai and at Ratnagiri, near Vellore. It illustrates the continuity of the tradition and reveals a technology that is ancient, yet still relevant today. The film explores the process of translating inner experience into art, and invites us to experience the naked beauty of the form while understanding the metaphysical message. The art of the Vishwakarma has given form and expression to all denominations of metaphysical thought in India. The film also probes the underlying scientific and mathematical principles.
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Unravel
2012
Unravel follows the Western worlds least wanted clothes, on a journey across Northern India, from sea to industrial interior. They get sent to Panipat, a sleepy town and the only place in the world that wants them, recycling them back into yarn. Reshma is a bright, inquisitive woman working in a textile recycling factory in small time India, who dreams of travelling the vast distances the clothes she handles have. While Reshma shows us how these garments get transformed, she and other women workers reflect on these clothes. Despite limited exposure to western culture, they construct a picture of how the West is, using both their imagination and the rumours that travel with the cast-offs.
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The Last Maneater: Killer Tigers of India
2003 ยท โ 8
Sunderbans (Forest of Beauty) is in West Bengal, India, and is the only place on Earth that is the natural habitat of Royal Bengal Tigers that have never known to be fearful of humans. One tiger has been known to kill three fully grown men, leaving behind orphans and widows who belong to poor tribes, dependent on harvesting wild honey and fishing, in a swampy mangrove region. About 80 people are killed annually by these ferocious beasts with razor-sharp jaws, whose forepaws can shatter bones, and sharp teeth can pierce a skull in one bite. Amidst religious superstitions, the narrator attempts to explain the cause behind their taste for human meat in a region devoid of electricity, roadways, firearms and safe drinking water, and why the villagers continue to live there despite of being stalked and mauled on land and water alike.
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Four on Eleven : The Fading Glory Of Parsi Cricket
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The Parsi Community has inked an incredible mark in Cricket, with a rich and storied legacy dating back to the early days of Cricket in India. Parsi Cricketers played a pioneering role in nurturing and popularising the game, producing some iconic cricketers. However, over time, the Parsi Community's influence on the sport has gradually declined, reflecting broader changes. While their contributions remain essential to the history of Indian cricket, the community's active participation on the field has diminished. But, is there still hope left?
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Tins for India
1941 ยท โ 6
Documenting the production of kerosene tins and their reuse in rural India, this early short by Bimal Roy observes industrial labor and everyday life with a restrained, humanist perspective.
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The Arms Drop
2014 ยท โ 6
One night in December 1995, 4 tons of weapons fall from the sky over India. A few days later a Danish man returns to Denmark with a grave secret. Only when an English arms dealer is arrested in India and faces death sentence, does the Dane appear in the large-scale international investigation of the case. With reconstructions and scenes resembling a feature film, the docu-thriller The Arms Drop tells the nerve-racking story of two men who gamble their lives on a joint mission with each their secret agenda, and the political, personal and diplomatic consequences 20 years later.
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Around India with a Movie Camera
2019
Award-winning filmmaker Sandhya Suri (I for India) skilfully weaves together archive footage to create an emotionally resonant story about life across India from 1899 to 1947. Drawn exclusively from the BFI National Archive, Around India features some of the earliest surviving film from India as well as gorgeous travelogues, intimate home movies and newsreels from British, French and Indian filmmakers. Taking in Maharajas and Viceroys, fakirs and farmhands and personalities such as Sabu and Gandhi, the film explores not only the people and places of over 70 years ago, but asks us to engage with broader themes of a shared history, shifting perspectives in the lead up to Indian independence and the ghosts of the past. Around India boasts a superb new score that fuses western and Indian music from composer and sarod player Soumik Datta.
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One Million Snake Bites
2011
From the giant King Cobra to the tiny sawscaled viper, India is home to many of the world's deadliest snakes. Now a new report has revealed that India is in the middle of a snakebite epidemic of epic proportions, with a loss of human life far in excess of any official figures. Armed with more than forty years of field experience, snake expert Romulus Whitaker and his team set out on a journey around India to investigate the natural history behind these chilling new statistics and to see what can be done to help India's people and ultimately, its snakes.
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A Rifle and a Bag
2020 ยท โ 5.3
Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.
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