Kajaran: Metamorphosis of Stone
2001 · 41m · Documentary
Humans transform the world. In a stone mine, huge majestic rocks are blasted into pieces and after passing through the stone processing line, they gradually transform into pebbles.
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Traces: People of the Peacock
2016
Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.
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The Quarryman
1935
Slate is the lifeblood of Blaenau Ffestiniog, but its dust can be deadly, with a painful legacy for family and society. this drama portrays aspects of the quarryman’s life in Blaenau Ffestiniog – work, home, chapel, courtship – and indicates the importance of education to the younger generation. The story highlights the hardships and tough choices that were part and parcel of life in such a society, alongside its cultural vibrancy and community spirit.
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Nothing to be Afraid of
2019
Ever since the war in Nagorno-Karabakh, the still disputed territory is contaminated by landmines. This documentary follows five female de-miners on their risky job.
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Intent to Destroy: Death, Denial & Depiction
2017 · ★ 4.8
INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.
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Nina's Children
2023
The 40-day war has just ended in Armenia. David completed a 2-year service and has returned home from the front. Uncertain about his next steps, he is actively searching for a job that resonates with him. Arthur served in the army for a year and is currently on vacation. He continues his efforts to recall his favorite tune on the piano. Serezha harbors jealousy toward his brothers who experienced the war. He is getting ready to enlist in the army, as he will turn 18 this year. All three are brothers, and they are all Nina's children.
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Jiyana Rewsenbireki Kurd: Casimê Celîl
2021 · ★ 10
Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.
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Aivazovsky and Armenia
1983 · ★ 9
Aivazovsky's paintings on historical Armenian themes. His works were not only on marine subjects. In this short we can also see the church of St. Sarkis, where the artist was baptized. He was married within the walls of this ancient temple, and his funeral service was held there in 1900. Modern photos of Armenia and Western Armenia, where Aivazovsky's ancestors were from, harmoniously complement the film. And at last, the picturesque views of Feodosia, the city where the artist lived and worked for many years.
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From Atatürk to Erdoğan: Building a Nation
2019 · ★ 7
Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.
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Village of Women
2019 · ★ 7
Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.
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The Seasons
1975 · ★ 6.9
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
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