Party! Party! Party! – Der lange Tanz des Techno

VALKYRIES

No synopsis available.

Style Wars

1984 · ★ 7.6

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

YouthMin: A Mockumentary

2021 · ★ 5.9

"YouthMin" is a mockumentary following an attention seeking youth pastor and his small group of Christian teens at Bible camp.

Punk is not vraiment dead ?!

2023 · ★ 7.8

No synopsis available.

Skæve dage i Thy

1971 · ★ 5.6

Documentary about the construction of Thy Lejren in 1970 - an alternative summer camp. Features concerts by bands such as Gasolin' and Gnags.

Forest for the Trees

2021

Award-winning war photographer Rita Leistner goes back to her roots as a tree planter in the wilderness of British Columbia, offering an inside take on the grueling, sometimes fun and always life-changing experience of restoring Canada’s forests. Leistner, who has photographed some of the world’s most dangerous places, credits the challenge of tree-planting for her physical and mental endurance. In Forest for the Trees, her first feature film, she revisits her past to share the lessons she learned. The film introduces us to everyday life on the “cut-block” and the brave souls who fight through rough terrains and work endless hours to bring our forests to life. The rugged BC landscape comes to life magically in Leistner’s photography, while the quirky characters and nuggets of wisdom shared around the campfire tell a sincere story of community.

Skinhead Attitude

2003 · ★ 7.3

Outlines the history of 40 years of the skinhead subculture, beginning with the most recent versions of the culture.

What We Started

2018 · ★ 7.2

Bert Marcus and Cyrus Saidi present an informed and absorbing exploration of the history of EDM, boosted by an energetic soundtrack and anchored by the personal stories of legendary DJ Carl Cox and superstar newcomer Martin Garrix. Insights from numerous other DJs and musical talents like Moby, David Guetta, Paul Oakenfold and Usher help tell the often oppositional tales of old school vs. new school and mainstream vs. underground.

Carl Cox and Friends

2005

Carl Cox: One man, a few friends & 10,000 party people! UDC, known for Dance Valley, Impulz, HQ,Concept and 4 Elements, proudly presents Carl Cox & Friends where the big man play a six-hour set alongside friends in the Ahoy, Rotterdam. The entire party centres around Carl and he will announce who his DJ friends are that will be lining-up alongside him. On the subject, Carl said: There is nothing better than sharing good music with friends. When we decided to do this event, I really wanted to make it something personal, and also share it with my friends. What you will experience on this evening is something never done before. The show has been designed from the bottom up, costs have been thrown out of the window and the priorities - sound, production, lighting, and of course music - have taken centre stage!

POSERS - The New Romantics

1981

Shot in a single day, POSERS captures a thriving subculture in Kings Road, London: the style, music, and expression of the New Romantics.

A Techno Tragedy

2024

An explosion in the underground music scene is met by massive investment into Tucson, Arizona. Documentarian, Ty Besh, followed the scene from 2016 to 2018 showing the vast changes that happened to the people, venues, and scene in just 2 years. This Documentary serves as an archive and also a reminder to everyone in the DIY scenes across the world that moments come and go.

Art as a Weapon

2014 · ★ 6

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.