Mukunan Shaman Apprentice
2024 · 28m · Documentary
Mukunan prepares to become the Shaman of the Potiguara Katu RN village. Older than us, the power plants become the teacher giving environmental care lessons.
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Larisa
1980 · ★ 6.3
Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.
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Aagaman
1980 · ★ 5.8
To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.
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Society has created a stereotype of the LGTBQ collective in which its members are young people who are fashionable, who have money, who have a lot of fun and who never pass the age of forty. But where are the older ones? When they reach that age, do they evaporate? This documentary makes visible a little-discussed topic: old age.
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Too hot! The spawning fish do not come at the right time and the pepper plants end up dying in this heat. "This is a very different weather that not even the spirits can understand." From their gardens, homes, and backyards, the indigenous women of the Amazon involve us in their vast universe of knowledge while they observe the impacts of climate change in their ways of life.
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St. Joseph Fort: Principality of Pontinha
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St. Joseph Fort: Principality of Pontinha, the diamond that illuminates the Atlantic Pearl.
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Brasilia, Contradictions of a New City
1968 · ★ 7.7
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
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