Always/Never (Together Forever)
4m · Documentary
An unhinged, diaristic examination of devastating friendship breakups.
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Eligibility is a film made by Ryan Cunningham. In this film, they discuss the question, "Why do I have to prove myself?" Through 80 minutes of documentary, archival, and narrative formats, Ryan explores this topic. Made within a week of 2025 and with a couple of all-nighters, this is proof of Eligibility. Anything can be a movie, so why not make one?
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Those Who Wander
2022 · ★ 10
What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.
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At the Myrtle-Wyckoff intersection, transportation arteries and the community overlap and interact, connect and collide, react and respond. Where are people going? Where are they coming from? And, what lies underneath all of the activity?
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The Salt of the Earth
2014 · ★ 8.1
During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
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Nothing Can Stop The Radiance
2024
Filmmakers Sam and Amy journey into rural Australia to explore how the legacy of an American legend has transmitted and warped itself over time, and across the globe, resulting in the 30th annual Parkes Elvis Festival.
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Blanket Song
2022
A grandmother faintly narrates her quilts, as seen through the warped glass lens of a broken camera, a laptop webcam, and a clunky Xerox scanner.
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The cats, the sea, and everything in between.
2025
In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.
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maɬni—towards the ocean, towards the shore
2020 · ★ 5
An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.
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Light Protect Me From Oblivion
2024
A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.
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