
-Oh
2024 · 2m · Animation · Fantasy
A hand moves gently, its presence shifts continuously.
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Two Space
1979
Two Space systematically explores symmetries used by Islamic artists to create abstract temple decorations. The two dimensional patterns, like the tile patterns of Islamic temples, are generated by performing a set of symmetry operations (translations, rotations, and reflections) upon a basic figure or tile. Two Space consists of twelve such patterns produced using each of nine different animating figures (12 x 9 = 108 total). Rendered in stark black and white, the patterns produce optical illusions of figure-ground reversal and afterimages of color. Gamelan music from the classical tradition of Java adds to the mesmerizing effect.
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2013
The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.
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1953
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
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Odds & Ends
1959 · ★ 7.3
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
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An abstract animated film inspired by the work of jazz musician Chico Hamilton.
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A Matter of Life and Death
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Haya's convinced she's going to die before thirty, so she's living like it — loud, reckless, completely unfiltered, no brakes. Then one of her stunts goes wrong and lands her in the ER... right into Youssef. A heart surgeon. Calm, controlled, lives by a schedule. The human opposite of her in every way. Naturally, she decides he's her destiny. What follows is chaotic, funny, and a little bit ridiculous — neon nights, strange rituals, the kind of moments you can't plan for. Her countdown keeps ticking. His walls keep cracking. And somewhere in between, they both start remembering what it actually feels like to be alive. A love story for anyone who's ever felt like too much.
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