No Title
1982 · 14m
Poetic and romantic amateur footage of a young couple in a garden, as well as their travels — several spliced films with different plots were stored on one reel. The film includes the author's audio commentary.
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2004
A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.
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Scientists and philosophers work to understand animal vision in this multi textured rumination exploring our relationship to the nonhuman world.
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The Storm in the Morning is an autobiographical film. It blends digital, natural, and cultural worlds to build a multidimensional narrative where memories, languages, and images work together to navigate and reconstruct my personal experience and perception. By returning to the tradition of remembering in classical Chinese literature, I aim to create new dialogues or connections between the experience and memory, languages and images, the present and the past.
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2007
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2019
Shenzhen River (the border btw Hong Kong and Shenzhen), and the Second Line of Shenzhen Special Economic Zone (the border between Socialism China and Capitalism China) were compared to the Berlin Wall. The Second Line were constructed June 1982, demolished June 2015. The First Line (Shenzhen River) still flows, running deeper and deeper after 1997. Artist Miaoyuan LONG and Zen LU (the ON/OFF media Group) documented major checkpoints along these two boundaries. It’s a piece to illustrate the Big Escape (Touch Base Policy) from mainland China to Hong Kong during 1950-70’s and the geopolitical history of Shenzhen. The 48min audio-visual live performance version was Official selection of Draft Systems 2017 WRO Media Art Biennale, Poland.
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Three lives caught in limbo between dreams, reality, and oblivion.
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In Course of the Miraculous
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The script is composed of three stories set in three different time periods and three different locations. One story takes place during an ascent of the Himalayas, another on a crossing of the Atlantic Ocean, while the third happens on an ocean-going fishing trip. The motivation/objective in every story is a quest, and hiding underneath under every motivation is the deepest level of human nature.
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2011
16mm film negative sanded with surfboard shaping tools, sex wax melted on, squirted, dripped, splashed, sprayed and rubbed with donuts, zinc oxide, cuervo, sunscreen, hydrogen peroxide, tecate, sand, tar, scraped with a shark’s tooth, edits made by the surf and a seal while film floated in waves.
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