
Bugs!
★ 6.3 · 2003 · 40m · Documentary
Explore the extraordinary hidden world of insects, where a leaf weighs more than a car, rain drops feel like exploding hand grenades and a blade of grass soars like a skyscraper. Shot on location in the Borneo rainforest, Bugs! brings the beautiful and dangerous universe of its tiny stars up close and personal with cutting-edge technology that magnifies them up to 250,000 times their normal size.
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Pukaskwa National Park
1983 · ★ 7
This short documentary by Bill Mason explores Pukaskwa National Park on Lake Superior, providing a background of the park's geological past and plant life. The film also shows scenes of hiking, canoeing and camping. The result is to put us back in touch with the natural elements that our ancestors both fought and enjoyed.
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Twixt Heaven and Earth
1998 · ★ 10
Living on the prairies during the summer, the Swainson Hawk flies 11,000 km to Argentina for the winter. But toxic pesticides pose a serious threat to these majestic birds. Dr. Stuart Houston and his team use satellite technology along with traditional bird-banding to greatly increase our knowledge of the lives of migratory birds.
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Sperm Whales: Dealing with the Unexpected
2005
Around the Crozet Islands, here is the incredible odyssey of a family of Sperm Whales facing rapid changes in their environment. From the stormy surface to the eternal darkness of the abyss, several generations of these deep-sea divers encounter men and their "toys": harpoons of yesterday, and fishing lines of today. Once victim of whale hunting, now accused of stealing fish, a sperm whale shares its private life with us.
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Birders
2019 · ★ 6.2
Bird watchers on both sides of the U.S.-Mexico border share their enthusiasm for protecting and preserving some of the world's most beautiful species.
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Galapagos - Trauminsel im Pazifik
1962 · ★ 8
Following in the footsteps of Charles Darwin, Heinz Sielmann traveled to the bizarre volcanic islands of Galapagos. The multi-award-winning film shows the unique wildlife on the Pacific Noah's Ark.
More info →Clouds
1969
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
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Film-Tract n° 1968
1968 · ★ 6.5
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min
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Hart of the Wood ‘Ways of the Plant'
2024
A long-form 'artist moving image' documentary film that sits in a fictitious conceit that begins in a distant future, inspired by Russell Hoban’s cult novel ‘Riddley Walker’. A medley of documentary, fantasy, song and dance: shot on a tapestry of celluloid film stocks and developed by hand.
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New York Portrait, Chapter III
1990 · ★ 8.3
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
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