Impasse
2025 ยท 18m ยท Drama ยท Romance ยท Action ยท Crime
A street artist surviving through art fraud discovers, for the first time, what it truly means to leave an authentic mark โ after crossing paths with a mysterious painter.
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After spending a few months in quarantine, a young filmmaker struggles to find inspiration.
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Cultural historian Janina Ramirez presents a collection of intriguing and exciting short films by emerging women directors and artists. Each film gives a female perspective on modern-day topics from body image and new love to grief and belonging. Expect honest and refreshing storytelling that will make you laugh, make you cry and make you think. In a Room Full of Sisters; Blood Stains; Bridging the Gap; Cake; Ding-Ding, Next; Fruity; In Perpetuum; Owulide; White Dwarf; Cosmic Domestic; The Dead Are Jewels to Me; The Presence of Absence
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A child, a young businessman and a homeless man happen to build an unlikely friendship.
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Impulse Response
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Two gangsters are commissioned to assassinate terrorist members in exchange to be pardoned from their crimes.
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The Mystery of the Night before the 25th
1917 ยท โ 6.5
A private investigator is invited to come to an address. He realizes that it is a trap and take some precautions before going there. Once in place, he is overpowered and tied to a chair with a time bomb.
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I'm an actrice
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Ape
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To take control of his life, Travis Wilker must conquer the hallucinations that plagued his childhood.
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2008 ยท โ 1
Johan sits on a small jetty by the lake, deep in thought - he is struggling to find the words to say, or the actions to take. Joined by friends Anton and Julie, the trio cycle through the Swedish countryside, and as the sun begins to set, more friends enter the fray, bottles of beer are opened and guitars thrum as the group party into the night. But Johan is still deep in thought. When the sun eventually rises, Johan's fears have long since faded away.
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1969
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
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