
Marina Satti at Water Square
2025 · Music
In a live performance of international standards, musicians, voices, dancers, hot choreographies, impressive visuals, live cinematography and masterful video-statements, worked down to the last detail, compose a multi-layered setting of unique aesthetics. With impressive scenography and absolute stage energy, the Water Square caught fire in front of 16,168 spectators of all ages, in an absolute POP experience. Explosive and lyrical, with a clear identity and point of view, the multi-platinum hitmaker and performer Marina Satti, will rock with her sweeping hits such as LALALALA, MANTISSA, BLOUZAKI, SPIRTO KAI VENZINI, LOLA, TUCUTUM, AUTOKINHTO, AH THALASSA and of course ZARI.
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Fear of Heights
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In 1983, film student Rich Murray was handed $20,000 in a brown paper bag by a mobster. The money was for directing his first music video for a virtually unknown Philly rocker named Alan Mann. Mann's song "Christmas on the Block" became a Philly radio staple and Murray's music video, against the odds, became the first indie video to play on MTV. This experience, tainted by Mann's tragic passing, remained with Murray through the years. With "Fear of Heights," Murray travels back to that time to answer some nagging questions and to illuminate the dark, mysterious life and music of Alan Mann.
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Du Baptême à Je dis -M-
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Record On: Paul Weller - Wild Wood
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Dither: The D.I.Y. Sound
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Dither: The D.I.Y. Sound is not your conventional punk rock documentary. In this documentary we explore the ideologies created by cornerstones of the early punk community such as Ian Mackaye of Minor Threat, Fugazi and Dischord Records. But beyond that, we explore the communities and people that have adopted these ideologies and created their own version of what it means to be D.I.Y. This is not a documentary about just music, it's a documentary about the communities that surround the music and embrace it as a way of identification and brotherhood. But this documentary doesn't just ask questions about the culture, it asks questions about how it's possible to maintain a culture that is, at it's core, so opposite of the modern economic and social system.
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