
Phototropism
2026 · 34m · Documentary
A poet who stares at the sun too long goes blind. Plants bend toward the light, and a world brimming with radiance tilts into the dark. From noon to midnight.
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Lucina Annulata
2021
Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.
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Nothingness
2025
The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.
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Kolmesti: Mikko Sarvanne Garden
2025
Did you look at the sun for too long, until the shapes of the surrounding world stretched and the colors became distorted? In this music documentary, the band Mikko Sarvanne Garden performscompositions set to contemporary poetry: Heräämisen valkea myrsky, Valo jota pöly juo, and Hiljainen kuin metsä.
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As Janelas Me Diziam Que Os Carros Cor De Lembrança Ainda Percorriam as Movimentadas Ruas do Esquecimento
2024
No synopsis available.
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Cruiser
2022
Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.
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Tiger God
2025
The Tiger God project originated during the artist’s residency at Cien Art Village in Hualien in 2021, inspired by a Sikawasay (Amis priest) who said a concrete tiger carried a soul. The work explores encounters between Han folk beliefs and Amis spiritual traditions, reflecting on suppressed indigenous histories in eastern Taiwan under colonial and religious forces. Nighttime fireworks symbolize external impacts on the land, linking concrete animals, mining, and colonial imagination. The ritual opera returns the footage to the land and gods, weaving ritual, research, and reflection into a narrative about silent objects and memory.
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Fragmentary
2024
In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.
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Meat Joy
1964 · ★ 6.7
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
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I Am a Country
1967
Produced for the NFB by Crawley Films Ltd. for the Canadian Department of Industry Trade and Commerce. This film provides a showcase for products manufactured in Canada, from aircraft designed for special duties, to pre-cast bathrooms that can be installed in one simple operation. There is heavy-duty machinery developed for the special needs of Canadian industry. There are women's fashions of universal appeal. All bear the 'Made in Canada' label and can be viewed in this film in colour and at close range.
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Don't Die: The Man Who Wants to Live Forever
2025 · ★ 6.3
In this documentary, wealthy entrepreneur Bryan Johnson puts his body and fortune on the line to defy aging and extend his life beyond all known limits.
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Home and Hatred
★ 10
Two filmmakers juxtapose field recordings and documented moving images as an attempt to reconcile with their place in their desensitized semi-urban hometown in India.
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