Jon Snow: A Last Big Story
2026 · 75m · Documentary
Faced with an Alzheimer’s diagnosis, Jon Snow rediscovers his purpose in doing what he's always done, exposing injustice as he fights for a Zambian community whose homes have been destroyed by a mine.
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It's Hard Being Loved by Jerks
2008 · ★ 6.8
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
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Home: The Country of Illusion
2016 · ★ 8
Lilia, a Colombian citizen, has lived in eight countries around the world. Now, at the age of 67, she grows old alone in Portugal, caring for an Alzheimer's patient. The filmmaker asks her mother Lilia if she has found home and if she will ever return to Colombia, her native country she hasn't visited for the past 40 years. HOME is a personal-approach documentary about loneliness and the sense of belonging.
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Chernobyl 30 Years On: Nuclear Heritage
2015 · ★ 7.6
Thirty years after the Chernobyl disaster, which occurred on the night of April 26, 1986, its causes and consequences are examined. In addition, a report on efforts to strengthen the structures covering the core of the nuclear plant in order to better protect the population and the environment is offered.
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La memoria de los que olvidan
2011 · ★ 5
Documentary directed by Freddy Más, creator of the film Dawn of a Dream, which treats Alzheimer's disease from different points of view: patients, relatives, scientists, pedagogues. The documentary not only reflects the experience and testimony of the different affected.
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Princess Diana: The Mourning After
1998 · ★ 6.6
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
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Koyaanisqatsi
1983 · ★ 7.9
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
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Roland Emmerich - Weltenzerstörer, Weltenerbauer
2025 · ★ 7
Roland Emmerich himself and many of his companions provide insights into his life. With films such as Independence Day, 2012, and The Day After Tomorrow, he probably became the most successful director of disaster movies. But there were also failures.
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War Photographer
2001 · ★ 7.5
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
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Hélène Trésore Transnationale
2026 · ★ 6.3
In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.
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La bisabuela tiene Alzheimer
2012
A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.
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The Man I Left Behind
2024 · ★ 8
Larry Towell is a photographer with the prestigious Magnum agency. For 40 years, he has travelled our troubled planet, capturing the unspeakable. In this cinematic diary, he looks back on his profession, his doubts, the need for images, the absurdity of borders, the danger of “getting used to war” and the essence of his quest, which is also that of the film: humanity. Yet another impressive work by Matthieu Rytz, talented filmmaker born in Nyon!
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