Turkey
2010 · 6m · Comedy · Family
Newly married Ally struggles to cook the perfect Thanksgiving meal for her husband, his two daughters and his ex-wife (without stabbing anyone).
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1989 · ★ 9
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Got 2 Believe
2002 · ★ 8.8
Toni is a wedding coordinator who at 25 is considered an old maid by her family and friends. Lorenz is a photographer who does not believe in happy endings. A bet brings the two together and leaves them questioning their feelings for each other.
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Tanguy
2001 · ★ 6
Tanguy is 28 years old and still living with his parents. They think it's time he moves out. He doesn't, so they hatch a plan.
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2001 · ★ 6.7
Bridget Jones is an average woman struggling against expectations. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. Her charming boss takes an interest in her, and she cannot stop running into a rather disagreeable acquaintance whom Bridget cannot help finding quietly attractive.
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Annaluise & Anton
1999 · ★ 7.2
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
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Zero Motivation
2014 · ★ 6.4
Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit.
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24 Hours
1951 · ★ 6.5
Many people are preparing their lives for a lifetime, to make it safe and secure. And then the fate's game of 24 hours can overturn everything.
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Liquid Love
2022 · ★ 2
A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded
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Four Rooms
1995 · ★ 5.9
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
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2002
Ruby and Garnet are identical twins, ten years old and inseparable. Since their mother's death they live with father and grandmother in the big city. When one day attractive Rose steps into father's life, Ruby and Garnet's whole life is turned upside down. They must leave their beloved granny and move to the countryside with father and that much hated "new one" because father wants to fulfill his most ardent dream to open a bookstore.
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A Comedy in Six Unnatural Acts
1975 · ★ 7
Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)
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