
The Adventures of *
★ 6 · 1957 · 10m · Animation
Life drums the playfulness out of a boy as he grows up.
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Made as part of a Triton Gallery show to publicize the poster art of Canadian artist Vittorio Fiorucci, filmmaker Wakefield Poole cut apart posters and hand-animated the film using his 8mm camera to create stop-motion. The film was combined with dancers, lighting and projections to create an innovative gallery show.
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The Bomb
2017 · ★ 7
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1971 · ★ 4.5
A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.
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Enigma: Nazo
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As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
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Visit He visits a city. The city already forgot him. The city is still sinking in his dream. The flicking segments of real life and illusion. Only the lighthouse has his memory. But the memory will may be vanished.
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7362
1967 · ★ 7.8
7362 is concerned with dividing and joining together. It begins with two black circles against a white background, knocking together and gradually moving further apart. The circles fade out, and return as white circles against black inside a square. Images similar to Rorschach blots appear. Gradually the viewer realizes that the images were not originally abstract, but were human forms (dancers, gymnasts, etc.), bridges, and others that have been split down the center of the frame, with their mirror images printed on either side of the split. Red, green, and white tints further abstract the images from their original foundations in the natural world, making dancers appear to be amoebas or dividing cells. The accompanying sound track is a mixture of electronic music and musique concrète ("real" recorded sounds manipulated to sound abstract).
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