Rap, O Canto da Ceilândia
2005 · 16m · Documentary
A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.
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Rize
2005 · ★ 6.7
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
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Scene Not Heard
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Scene Not Heard features interviews with some of the originators of hip-hop such as Lady B, Schoolly D, Monie Love and Rennie Harris, with vanguards chiming in including Bahamadia and Ursula Rucker, and presents current talents such as the Jazzyfatnastees, Ms. Jade, and Lady Alma, and emerging talents such as Versus, Keen of Subliminal Orphans and Michele Byrd-McPhee of Montäzh, as well as scholars, critics and local promoters.
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BIG PUN LIVE chronicles the life and times of the multi-talented rapper/actor Christopher "Big Pun" Rios. His short but substantial career is studied through live performance clips, behind-the-scenes footage, and interviews with friends and family.
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Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
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Black Ice
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This incisive, urgent documentary examines the history of anti-Black racism in hockey, from the segregated leagues of the 19th century to today’s NHL, where Black athletes continue to struggle against bigotry.
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J. Cole: 4 Your Eyez Only
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Free Space
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Under pressure from activist groups, art is increasingly being cancelled for ideological reasons, because of 'cultural appropriation' or because of the desire for a 'safe space'. The colour and gender of the artist seem to be all-determining in this. How do you relate to this as an artist? Is this a disturbing development or a sign of emancipation? And what does it mean for freedom of expression? Director Karin Junger investigates this with Anne-Fay Kops, Ted van Lieshout, Angel-Rose Oedit Doebé, Raymi Sambo, Boris van Berkum, Marian Markelo, Stephan Sanders and Thomas Chatterton Williams.
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Barbed Wire and Mandolins
1997 · ★ 7
Upon Canada's entry into World War II, the RCMP rounded up thousands of people it considered fascist sympathizers. Among them, 700 Italian-Canadians were held for up to three years in internment camps. None were ever charged with a criminal offence.
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