Pat XO
★ 6.5 · 2013 · 51m · Documentary
This documentary profiles the life and career of Pat Summitt, the NCAA's winningest basketball coach, who resigned from her post at the University of Tennessee in 2012 due to early-onset Alzheimer's disease.
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Home: The Country of Illusion
2016 · ★ 8
Lilia, a Colombian citizen, has lived in eight countries around the world. Now, at the age of 67, she grows old alone in Portugal, caring for an Alzheimer's patient. The filmmaker asks her mother Lilia if she has found home and if she will ever return to Colombia, her native country she hasn't visited for the past 40 years. HOME is a personal-approach documentary about loneliness and the sense of belonging.
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You've Got Beautiful Stairs, You Know...
1986 · ★ 5.9
Short directed by Agnès Varda in 1986 on the occasion of the 50th anniversary of the French Cinematheque, presenting a contrast between the famous stairs from the place along with classic film images also revolving around stairs.
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Warrior: The Life of Leonard Peltier
1991 · ★ 10
An intimate exploration of the circumstances surrounding the incarceration of Native American activist Leonard Peltier, convicted of murder in 1977, with commentary from those involved, including Peltier himself.
More info →Hitler's Hitparade
2005 · ★ 7
A compilation of found footage from musicals, home movies, animated shorts, educational films, commercials, and propaganda set against pop music from the Third Reich, Hitler's Hitparade presents audiences with an unprecedented experiential collage of Nazi Germany.
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Farewell, Herr Schwarz
2014 · ★ 8.5
A documentary about the outcome of a decision made by a brother and sister in 1945. One missed meeting, two families, and three generations.
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Jazz in Love
2013 · ★ 6
Jazz in Love tells the story of Jazz, a young man from Davao whose dream wedding is within reach: his boyfriend of 11 months has proposed. Because no law allows him to get married in the Philippines, he must fly to Germany, his boyfriend's home country, and tie the knot there. One of the things that stand in his way is his inability to speak Deutsch, and to address that he must temporarily relocate to Manila for language lessons. Meanwhile, his parents remain completely unaware of the radical changes that his life is about to undergo.
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Maison du Bonheur
2018 · ★ 6.1
When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.
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Prendre soin
2019 · ★ 7
An immersive documentary about four nurses working in retirement houses in Alzheimer units. Near to Claire, Luca, Antoinette and Lika, we discover how the nurses work, how the care is possible, with patience, ability, intelligence, tenderness and love.
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Magic Mirror
2013
Magic Mirror combines a re-staging of the French Surrealist artist Claude Cahun’s black and white photographs with selected extracts from her book Aveux Non Avenus (Confessions Denied). In Surrealist kaleidoscopic fashion the film creates a weave between image and word, exploring the links between Cahun’s photographs and writing as well as between those of the films of Sarah Pucill, as both artists share similar iconography and concerns.
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There is No Death For Me
2000 · ★ 8.5
It is a documentary story about five legends of russian cinema: Nonna Mordyukova, Tatyana Okunevskaya, Tatyana Samoylova, Lidiya Smirnova and Vera Vasileva. These wonderful women tell about their lifes and careers in hour interview.
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Ready or Not: The 96 NBA Draft
2021 · ★ 7.5
A deep dive into the iconic players, stories, trades, and legacy of the iconic 1996 NBA draft, which transformed the way basketball was played and the culture of the league; interviews with former NBA players, coaches and executives.
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Blind Light
2007 · ★ 7
Blind Light is filmed in the artist’s London loft. The presence of camera, studio and artist/performer are registered through image and sound, the loss of the former filling out the presence of the latter. In this way the physicality of object, space and subject as well as their inferiority is fleshed out, mapping out a space that is at once material and psychical. Controlling the light she allows into the frame, the artist lifts the blinds or pulls them shut, applies or removes lens filters, opens wide the aperture or closes it. Each performance or action threatens the image as it shifts in and out of ‘proper’ exposure until it disappears completely. Focusing either on the window or the sky, the artist narrates her camera operation whilst also describing what she sees; intermixing receptive and projective vision.
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