Five Film Exercises: Film 4
★ 4.6 · 1944 · 7m · Animation
The entire film is divided into four consecutive chosen approaches—the fourth section devoted to a reiteration and extension of the original material. Preserved by the Academy Film Archive in 1999.
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1991 · ★ 6.3
This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants.
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Bambi Meets Godzilla
1969 · ★ 6.5
A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.
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Legacy: A Very Short History of Natural Resources
1979
Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.
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The Divine Miracle
1973 · ★ 4.5
A surrealist translation of Catholic devotional postcard imagery set into unsettling motion. Preserved by the Academy Film Archive in 2008.
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Mountain Music
1976 · ★ 5
Mountain Music illustrates what happens when technology gets too advanced too soon. Preserved by the Academy Film Archive in 2012.
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Kitsch in Synch
1975
The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.
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Study No. 6
1930 · ★ 6.6
The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.
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Mutoscope Reels
1945 · ★ 6
An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film. Preserved by the Academy Film Archive in 2000.
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Sonoma
1977
"I relocated to the Redwoods of Sonoma County upon graduation and in that relocation process the animation for Sonoma began. The design was built around the concept of the long wide horizontal 'pan' shot to express the concept of a dynamic landscape that passes across the screen like a traditional Chinese Scroll Painting. The deep personal meaning relates to the 'relocation' that was occurring within my own being after having done 2½ terms of active combat in the jungle as a carrier enlisted with the 82nd Airborne Division of the Army" -D. Pies. Preserved by the Academy Film Archive in 2012.
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Things to Come
1953
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
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1941 · ★ 6
Stars and stripes forever and ever and ever. Preserved by the Academy Film Archive in 2000.
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Why Man Creates
1968 · ★ 6.7
A 1968 animation/documentary that criticises the industrial system.
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