Bach & Friends
2010 · 116m · Documentary
A two hour documentary on Johann Sebastian Bach. World-class musicians share their innermost thoughts and personal reflections on the power and genius of the most influential composer in history.
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2024
For him, the accordion is like a box in which you can get an entire orchestra in order to always have it on your own. Dynamic portrait of the gifted and charismatic accordionist Martynas Levickis.
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One 11 and 103
1992 · ★ 10
Avant-garde composer John Cage is famous for his experimental pieces and "chance music" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: "One 11" contains the artistic statement, and "103" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.
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Magic in the air, Bantry House Music
2008 · ★ 10
A behind-the-scenes look at the 1998 West Cork Chamber Music Festival
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A World Without Beethoven?
2020 · ★ 7.2
"What would the world be like without Beethoven?" That’s the provocative question posed by this music documentary from Deutsche Welle. To answer it, the film explores how Ludwig van Beethoven's innovations continue to have an impact far beyond the boundaries of classical music, 250 years after his birth.
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Les Grands Rivaux en musique - Schönberg vs Stravinsky
2020 · ★ 8
A look back at the violent conflict between the two leading figures of musical modernity, Arnold Schönberg and Igor Stravinsky, in the first decades of the 20th century. Although Arnold Schönberg and Igor Stravinsky both had a decisive influence on the fourth art, their creations remained diametrically opposed. While the Austrian developed the dodecaphonic method, placing the twelve notes of the chromatic scale at the heart of the composition technique to the detriment of tonality, his Russian rival based his practice on stylistic eclecticism. Their supporters formed two opposing camps, and the two composers - one the father of the Second Viennese School, the other of Neoclassicism - became, in the wake of their successes, the figureheads of a conflict that marked the history of music by its duration and intensity.
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Conductivity
2020 · ★ 7.5
Conductivity is a film about creative leadership told through the story of three young conductors at the prestigious Sibelius Academy in Helsinki, Finland; I-Han Fu (Taiwan), Emilia Hoving (Finland) and James Kahane (France). When stepping on the podium, they are put under a magnifying glass. Conductor training, in essence, is leadership training. The film gives a unique viewpoint to follow the students, as this is the first film about conductor training at the Sibelius Academy.
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The Art of Singing: Golden Voices of the Century
1998 · ★ 8
Imagine a window into the past. Imagine finally connecting singers' bodies to the voices you have always treasured on record, watching footage of performances from another era. All of singers featured here have something in common (with one exception, Sutherland): they sang and performed on stage before the advent of filmed opera. . And it shows, for the first time, a few tantalizing minutes of recently recovered footage from Callas' legendary Lisbon Traviata, featuring Addio dal Passato and Parigi oh cara with Alfredo Kraus. This DVD will leave you asking for more.
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The Passions of Vaughan Williams
2008
Fifty years after his death, this musical and psychological portrait of Ralph Vaughan Williams explores the passions that drove a giant of 20th-century English music.
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2013 · ★ 1
Moritats are old folk songs about crimes and are typical of Central Europe. Zela Trovke is a moritat from Slovakia which the Holland Baroque Society has recovered to include in its Barbaric Beauty programme. Maite Larburu, the orchestra’s violinist, unveils the song's hidden secrets.
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The Question of Instrument
1983
Part I of the series "Glenn Gould Plays Bach" is devoted to Bach's "Art of Fugue." Gould's performance is followed by a lively repartee with Monsaingeon, in which the pianist provides dazzling insights illustrated by music examples. He explains, for example, why he plays some pieces extremely slowly, and bemoans the "musicological overkill" of scholars who insist that Bach's keyboard music should only be played on a harpsichord.
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