Memories on Stone

A Sunday in Kigali

2006 · ★ 7.4

In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies.

Killers of the Flower Moon

2023 · ★ 7.4

When oil is discovered in 1920s Oklahoma under Osage Nation land, the Osage people are murdered one by one—until the FBI steps in to unravel the mystery.

Harrison's Flowers

2000 · ★ 6.5

1991. Harrison Lloyd, a renowned photojournalist covering the war in Yugoslavia, is reported missing. Sarah, his wife, convinced that he is not dead, decides to go to Bosnia to find him.

Come and See

1985 · ★ 8.2

The invasion of a village in Belarus by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope.

Sometimes in April

2005 · ★ 7.1

Two brothers are divided by marriage and fate during the 100 horrifying days of the 1994 Rwandan genocide.

8 Days in Captivity

2025

The feature film reflects the terrible days of the tragedy and the suffering experienced through the example of Durdana Aghayeva and her brother Elshad Aghayev, who witnessed the Khojaly genocide and were subjected to severe torture for 8 days in Armenian captivity.

Monologue

2023

Sivan Encü, a young Kurdish man, provided for his family by "smuggling" through the Turkish-Iraqi border. When he was murdered in the 2011 Robozik (Roboski) Massacre, the responsibility of family's welfare was taken over by his younger brother Sinan, who lost his life in an unfortunate accident. This is the story of their grief-stricken mother Heyam and her resilience. Alongside Heyam's struggle, the film brings the voices of Robozik elders and notables to the forefront, who have experienced first-hand the social, political and economic dimensions of smuggling, which has been the backbone of survival for the locals for many generations.

The Extra

2005 · ★ 7.5

Jimeoin, in the title role, plays a man fixated on the concept of celebrity, or more accurately, how he can become one. He is passionate about being a celebrity, but unfortunately he just isn't very talented. After trying to secure roles in myriad productions he finally finds employment as an extra, and what follows is his misadventures as he becomes involved with shady business men, producers and mobsters all of whom are fixated with show business.

Refugee Poetry

2016 · ★ 10

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

Dragon Ball Z: Bardock - The Father of Goku

1990 · ★ 7.6

Bardock, Son Goku's father, is a low-ranking Saiyan soldier who was given the power to see into the future by the last remaining alien on a planet he just destroyed. He witnesses the destruction of his race and must now do his best to stop Frieza's impending massacre.

When Dogs Bark

After his father’s lambs are brutally slaughtered, an intellectual son returns to his widowed father’s remote shack, confronting haunting signs of violence his father fears is returning.

The Road

1982 · ★ 7.3

When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.