Being Caribou
★ 8 · 2005 · 72m · Documentary
Wildlife biologist Karsten Heuer and his wife, environmentalist Leanne Allison follow a herd of 120,000 caribou on foot across 1500 km of Arctic tundra, hoping to raise awareness of the threats to the caribou's survival. Along this journey, they brave torrid conditions, dangerous wildlife and treacherous terrain all in the hopes of learning the truth about this epic migration.
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2009
Six American mothers, each grieving the death of a child, journey to South Africa to volunteer with impoverished children. The strength of the people they meet and the reality of the poverty they witness deeply affects them. They ultimately discover hope and healing as a result of serving others, and through the unexpected friendships they form with each other.
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Election Day
2007
Forget the pie charts, color-coded maps and hyperventilating pundits. What's the street-level experience of voters in today's America? In a triumph of documentary storytelling, ELECTION DAY combines eleven stories--all shot simultaneously on November 2, 2004, from dawn until long past midnight--into one. Factory workers, ex-felons, harried moms, Native American activists and diligent poll watchers, from South Dakota to Florida, take the process of democracy into their own hands. The result: an entertaining, inspiring and sometimes unsettling tapestry of citizens determined on one fateful day to make their votes count.
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2009 · ★ 6.5
The people of Rwanda attempt to reconcile after the genocide through an open process of admission and forgiveness.
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The Last Feast of the Crocodiles
1996 · ★ 8
In the daily struggle for survival, terrible thirst drives wildlife to water...even when the water is just inches away from the jaws of a crocodile. During one harsh season, a punishing drought draws some of Africa's most magnificent creatures to the shrinking pools of the Luvuvhu River. Its dwindling waters provide relief for baboons, impala, elephants, lions, water birds and bee-eaters - but also a refuge for scores of hungry crocodiles. Amidst the stunning scenes of nature at its harshest, strange things happen. A baby crocodile basks on top of a hippopotamus. Baboons attack a crocodile that has taken a youngster from the troop. Crocodiles harass a heron and steal its hard-won catch. And hippos calmly wade into the middle of a crocodile feeding frenzy. But the power of nature and her relentless drought may prove greater than even that of the most fearsome beasts. This cruel season may turn out to be the LAST FEAST OF THE CROCODILES.
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Songs From the North
2015 · ★ 7
Interweaving footage from the director’s three visits to North Korea with songs, spectacle, popular cinema and archival footage, Songs from the North takes a different look at this enigmatic country typically seen through the distorted lens of jingoistic propaganda and derisive satire. Challenging the meaning of freedom, love, patriotism and ultimately the human condition, it tries to understand, on their own terms, the psychology and popular imaginary of the North Korean people and the political ideology of absolute love which continues to drive the nation towards its uncertain future.
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Jimi Plays Monterey
1987 · ★ 7.5
Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.
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Sister Aimee
2007 · ★ 10
At the peak of her immense popularity in the 1920s, evangelist Aimee Semple McPherson was drawing larger crowds to her revivals than those of P.T. Barnum or Harry Houdini. This chapter of "American Experience" paints a vivid portrait of the controversial and charismatic religious figure. Credited with mainstreaming religion in American culture, Sister Aimee created one of the country's first Christian radio stations, among other accomplishments.
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Contrary Warriors: A Film of the Crow Tribe
1985 · ★ 7
Examines the impact a century of struggling for survival has on a native people. It weaves the Crow tribe's turbulent past with modern-day accounts from Robert Yellow-tail, a 97-year-old Crow leader and a major reason for the tribe's survival. Poverty and isolation combine with outside pressures to undermine the tribe, but they resist defeat as "Contrary Warriors," defying the odds.
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2008 · ★ 5
A young working class Baltimore man spends 10 years on a single portrait, believing it is his means to fame and fortune. But he also believes that only one man can lead him there---the famous artist David Hockney. What happens when you finally meet the god of your own making?
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The Rape of Recy Taylor
2019 · ★ 7.7
Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
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2008 · ★ 5.5
Another kind of utopia is presented in the films of Naomi Uman, whose search for her family roots in the Ukraine led her to move to the small village of Legedzine. In "Unnamed Film", she shoots the old bubushka ladies as they expertly prepare pickles, pick vegetables, and sing odes to vodka. Shot on 16mm with non-sync sound, it has an intimate, handmade quality, only heightened by the use of explanatory inter-titles in place of subtitles. Uman’s Ukrainain was weak, so she wanted the viewer to have the same experience as she did, just getting the gist of things. As with Uruphong’s work, there is a nostalgia for the old ways, which were self-sufficient but took an incredible toll on the body. The bubushkas complain about their aching backs and the never-ending poverty, spiking any drift towards romanticization.
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