Tudo Por Amor ao Cinema
2015 · 98m · Documentary
A documentary on Cosme Alves Netto (1937-1996), former head of the Cinematheque of the Museum of Modern Arts at Rio de Janeiro.
More Like This
Hard Luck: The Last Short to Be Found
2011
Documentary about the Buster Keaton short Hard Luck (1921).
More info →The Paleface... And Other Titles
2011
A discussion on restoring title cards to English from foreign source prints.
More info →On Scoring Cops and Helping Silent Films Live Again
2011
Ben Model discusses scoring music for silent movies.
More info →Day Dreams and the Problems of Missing Film
2011
Documentary on Day Dreams (1922), a Buster Keaton silent comedy.
More info →
You've Got Beautiful Stairs, You Know...
1986 · ★ 5.9
Short directed by Agnès Varda in 1986 on the occasion of the 50th anniversary of the French Cinematheque, presenting a contrast between the famous stairs from the place along with classic film images also revolving around stairs.
More info →
Las cinéphilas
2017 · ★ 6.2
Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.
More info →
Frankenstein Created Robyn
2026
Actress and filmmaker Robyn Adams discusses her experiences with autism, gender identity, and learning to embrace her flaws. Also, she's Frankenstein's Monster now.
More info →

Rescuing a Fantasy Classic
2021 · ★ 7
A comprehensive and fascinating behind-the-scenes look at the restoration process of restoring 3-strip Cinerama for the 1962 film "The Wonderful World of the Brothers Grimm".
More info →
Metropolis Refound
2010 · ★ 5.4
Argentinian film historians find a complete print of Fritz Lang's “Metropolis” (1927) at Buenos Aires Film Museum and take it to Germany for its restoration.
More info →
Lumière & Company
1995 · ★ 6.4
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
More info →
The Cemetery of Cinema
2023 · ★ 7.7
Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.
More info →