
Auto-Lite on Parade
1940 · 23m · Documentary
Tour of an auto parts and accessories factory climaxing with a stop-motion product parade.
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A documentary on the work of experimental British animator David Anderson.
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Seeing Through Commercials
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Is it the outrageous claims? Or just the bad acting? This early media literacy film helps kids understand that that ads are trying to, well, sell them something. Kitschy good and super tasty, it's lipsmackin' fun!
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1970
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Poland, 1970. When popular protests erupt in the streets due to rising prices, the communist government organizes a crisis team. Soon after, the police use their truncheons and then their firearms. The story of a rebellion from the point of view of the oppressors.
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Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.
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When Tehran hosts visiting foreign dignitaries, the local authorities clean up the city’s urban image through the controversial process of ‘urban beautification’. Those who are deemed unsavoury are rounded up – drug users, prostitutes and the homeless who sleep in cardboard boxes on sidewalks and who they would rather remain unseen. When these very important people leave, the men are released but the women are kept as wards of the state. An animated documentary made using hand-crafted cardboard miniatures and the voices of women to tell their story, one that has been five years in the making. A story that shows how the face of a city can change, but what is underneath often does not.
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A mother’s hope chest becomes a catalyst for her daughter’s reconsideration of traditional gender roles in this charming stop-motion animation.
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Adrift
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"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.
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The Deal
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Stop-motion animation on the arranging of marriages in 1950/60s set in the Eastern-Polish borderland. The script is based on a part of Mikołaj Smyk's diary, the director's grandfather. The biographical objects used in the animation, such as an authentic headscarf, Polish and Russian books, the copy of Mikołaj Smyk's diary and photographs help situate the story in its original environment.
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Making of the Genie in a Ravioli Can
2007
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