
Billy The Kid's Fighting Pals
β 7 Β· 1941 Β· 59m Β· Western
Billy, Fuzzy, and Jeff are on the run from the law again. This time they travel to a new town where Fuzzy is made Marshal. But Hardy and his outlaw gang control the town and none of the previous Marshals survived for very long.
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A Bullet for Billy the Kid
1963 Β· β 6
Western gunfighter Billy Kid decides to embark upon a new life and, accompanied by his sister, sets off on the long journey to his ranch. The journey is fraught with danger as Billy is attacked by both gunmen and lawmen.
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Billy the Kid Trapped
1942 Β· β 5.5
Stanton breaks Billy and his two friends Fuzzy and Jeff out of jail. He wants them free so three of his men can impersonate them for the robberies and murders he has planned.
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Billy The Kid's Round-Up
1941 Β· β 7
When Sheriff Hanley sends for Billy and his pals, they arrive to find him murdered and Ed Slade temporary Sheriff.
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Billy the Kid's Smoking Guns
1942 Β· β 6.3
Knowing the Army is arriving to establish a post. Doc Hagan and his gang and the crooked Sheriff are trying to drive the ranchers off the land. When the gang wound a rancher, the Doc finishes him off with his needle. Running from the law again, Billy and his pals arrive and take up the ranchers fight. But when Billy's pal Jeff is wounded, Fuzzy unknowningly takes him to Doc Hagan.
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The Kid Rides Again
1943 Β· β 6.2
Billy the Kid has been wrongfully arrested for robbing a train. In order to prove his innocence, the Kid breaks out of jail and hits the trail to search for the real robbers. Along the way, he discovers that an outlaw band has been impersonating upstanding ranchers.
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West of Tombstone
1942 Β· β 9
In this western, a community revives the legend of Billy the Kid after robbers attack a stage coach. The deputy marshal believes the Kid is dead and even goes to the cemetery to exhume his body. Unfortunately, the grave is empty and as the marshal ponders the mystery, a masked rider shoots at him. The eagle-eyed lawman recognizes the man's horse and realizes that he is a prominent businessman in town.
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The Man Who Killed Billy the Kid
1967 Β· β 6.1
This spaghetti western presents a fictitious version of the often filmed legend of Pat Garrett and Billy the Kid. Billy becomes innocently an outlaw while protecting his mother, but then turns into a trigger happy killer. When he falls in love he tries with the help of Pat Garrett, a fatherly friend, to change back. However, circumstances force Billy to become violent again and it is Garrett who is credited with the killing.
More info βBilly The Kid
2025
A short film outlining the early days and death of Billy The Kid. Made by Noah Calvello, Sean Mundorf, Bryce Perna, & Daniel Owens
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Son of Billy the Kid
1949 Β· β 6.5
Jack Garrett interrupts a stagecoach holdup where he meets Fuzzy (The town's stagecoach driver, station agent, baggage agent, and sheriff) and banker Jim Thorn. The trio team up to prevent robberies of Thorn's bank by Clem Yantis's large gang.
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Billy the Kid's Range War
1941 Β· β 6.7
Williams is out to stop Ellen Goreham from completing her road that is under construction and is using a man to impersonate Billy the Kid. When Billy sees the wanted posters and learns of the murders he supposedly committed, he sets out to find the imposter. His sidekick Fuzzy is there to help him but his friend Jeff, now a Marshal, is also after him.
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The Last Escape of Billy the Kid
1972
In the modern day, a young traveler stops at a remote New Mexico gas station and strikes up a conversation with an older local man. The old man begins to recount the gritty, historical legend of Billy the Kid (Steve Railsback) and his final, deadly showdown with Sheriff Pat Garrett (Jack Elam). As the elder speaks, the film shifts entirely into a flashback, dramatizing the outlaw's infamous final escape from the Lincoln County Courthouse.
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Billy the Kid
1930 Β· β 4.7
Billy, after shooting down land baron William Donovan's henchmen for killing Billy's boss, is hunted down and captured by his friend, Sheriff Pat Garrett. He escapes and is on his way to Mexico when Garrett, recapturing him, must decide whether to bring him in or to let him go.
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