The World Is Not a Landscape
2005 · 16m · Drama
A quasi-sequel to Michel Houellebecq's novel The Possibility of an Island, Masbedo's short presents a post-apocalyptic landscape overseen by a distant mother nature or perhaps mother of nature portrayed by French icon Juliette Binoche.
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Swain
1950 · ★ 6.8
Swain is inspired by Nathaniel Hawthorne’s Fanshawe, features a dreamlike narrative of a young man’s ritualized rejection of heterosexuality, as a mysterious woman in white gossamer pursues him through a ruined landscape.
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The Illiac Passion
1967 · ★ 4.3
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
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Assassination
1996
"Assassination" - Adaptation of Hermann Hesse's novel "Demian". A young man's detachment from and revolt against the superficial ideals of the world of appearances and eventually awakens into a realization of self. Max Demian is his childhood friend and mentor.
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Blow-Up
1966 · ★ 7.3
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
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Mirror
1975 · ★ 7.9
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
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Stabat Mater
2016 · ★ 4.8
Hotel guests look restrained, sedated in the diffuse light of the service provider’s shimmering cage. A network of joists, pilasters and fluting exposes the proverbial off-season chill in the seating arrangements. Smart-phones and tablets mask a total lack of communication.
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Kshya Tra Ghya
2004
A stream of mysterious rituals and symbols are encountered as a young boy journeys to school in the fantastical world of Kshya Tra Ghya.
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From My Room
2024
An unseen character observes the cold, harsh world around them while listening to The Beach Boys, hidden away in the safety of their bedroom.
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How Did I Get Here?
2024
Nervous about attaining his dream job, he faces the interview of a lifetime as he is questioned on the decisions that brought him to this very moment.
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Looking through a Glass Darkly
2023
An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts
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Cremaster 3
2002 · ★ 6.6
CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...
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The death of the minotavr
2022
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
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