Marc Okrand on Klingon
2002 ยท 21m ยท Documentary
Marc Okrand discusses his involvement with the Star Trek franchise and his work on inventing the Klingon and Vulcan languages.
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To Be or Not to Be: Klingons and Shakespeare
2009
The story behind the translation and performance of Shakespeare's "Hamlet" in Klingon.
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The Grammar of Happiness
2012 ยท โ 8
The Grammar Of Happiness follows the story of Daniel Everett among the extraordinary 'nonconvertible' Amazonian Pirah tribe, a group of indigenous hunter- gatherers whose culture and outlook on life has taken the world of linguistics by storm. As a young ambitious missionary three decades ago, Dan, a red-bearded towering American, decamped to the Amazon rain forest to save indigenous souls. His assignment was to translate the book of Mark into the tongue of the Pirah, a people whose puzzling speech seemed unrelated to any other on Earth. What he learned during his time with the Pirah led him to question the very foundations of his own deep beliefs. As a 'born again' atheist, Dan divorced his devout Christian wife and became estranged from his children. Having lost faith and family, his new life is dominated by the desire to leave behind his legacy. Everett's most controversial claim is that the Pirah language lacks 'recursion' - the ability to build an infinite number of sentences.
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Do I Sound Gay?
2015 ยท โ 5.5
What makes a voice โgayโ? A breakup with his boyfriend sets journalist David Thorpe on a quest to unravel a linguistic mystery.
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Project Nim
2011 ยท โ 6.9
From the team behind Man on Wire comes the story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim's extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature - and indeed our own - is comic, revealing and profoundly unsettling.
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Yeah You Rite!
1985 ยท โ 8
This award winning film is a fast paced, humorous look at the colorful way the residents of New Orleans express themselves - why they talk the way they do, where the words come from, and what it means to talk with a New Orleans accent.
More info โBack to Space-Con
2011 ยท โ 6.5
On February 22, 1975, Northern California's very first Star Trek convention was held at Lincoln High School in San Francisco, CA. It was called "The Red Hour Festival." A huge success with the fans of the original TV series (1966-69), the smash event led to much larger conventions in San Francisco, Oakland and Los Angeles. These "Space-Con" conventions left an indelible mark on the science-fiction fans and "Trekkers" who attended. In the end, conventions like Space-Con helped awaken Paramount from hibernation and led to the creation of the first installment of the major motion picture series "Star Trek" in 1979. This full-length documentary film is the story of how fandom revolutionized an industry.
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Spacelift: Transporting Trek Into the 21st Century
2011 ยท โ 6.7
Spacelift Transporting Trek Into The 21st Century, shows you how they Remastered The Special Effects from Star Trek Classic to CGI, the re recording of the theme music and the look of the Enterprise.
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The Unanswered Question V : The Twentieth Century Crisis
1976 ยท โ 7.7
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.
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The Unanswered Question VI : The Poetry of Earth
1976 ยท โ 9
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
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The Unanswered Question I : Musical Phonology
1976 ยท โ 9
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".
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The Unanswered Question II : Musical Syntax
1976 ยท โ 9
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."
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The Unanswered Question IV : The Delights and Dangers of Ambiguity
1976 ยท โ 9
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"
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