Heavy Architecture
2007 · 24m · Documentary
Documentary about 4 large architectural landmarks that projected Portugal abroad.
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Gaudi, Catalunya
1959
In 1959 Hiroshi Teshigahara shot the following 16 mm footage of he and his father’s first trip to Barcelona and the outlying Catalonian countryside, including a visit to the home of Salvador Dali in Port Lligat. The footage was recorded without sound.
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In this powerful new documentary, criminologist Dr Graham Hill, a former senior Met detective who was in Portugal during the early stages of the investigation assisting local police, returns to Praia da Luz for the first time. Revisiting the scene of her disappearance, unpicking Brueckner’s criminal history in both Portugal and Germany and meeting those who knew him to build a detailed offender profile, Dr Hill examines the case against the man who remains the prime suspect- and who has consistently denied any involvement in Madeleine McCann’s disappearance.
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Alvar Aalto: Technology and Nature
1987 · ★ 6
The Finnish architect Alvar Aalto (1898–1976) is one of the great figures of modern architecture, ranked alongside Gropius, Le Corbusier and Mies van der Rohe. This film analyses Aalto’s uniquely successful resolution of the demands and possibilities created by new technology and construction materials with the need to make his buildings sympathetic both to their users and to their natural surroundings. His inventive use of timber in particular represents both a reference to the forest landscape of Finland and a building material that is ‘warm’ and extremely adaptable. Filmed in Finland, Italy, Germany and the USA, this documentary shows how the Finnish natural environment and art traditions were essential elements in Aalto’s pioneering harmonization of technology and nature.
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St. Joseph Fort: Principality of Pontinha, the diamond that illuminates the Atlantic Pearl.
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Brasilia, Contradictions of a New City
1968 · ★ 7.7
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
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