Orogenesis
β 6 Β· 2016 Β· 8m Β· Animation
A trip towards abstraction, as an hypothesis on how mountains might have been formed.
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Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.
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3/78 (Objects and Transformations)
1978
Sixteen 'objects', each consisting of one hundred points of light, perform a series of precisely choreographed rhythmic transformations. Accompanied by the sound of a Shakuhachi (the Japanese bamboo flute), the film is an exercise in the visual perception of motion and mathematical structure.
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Enigma: Nazo
1978 Β· β 6.3
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
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Squares
1973
An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.
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Zoopsie
1975 Β· β 7
Bizarre abstract stop-motion animation questioning traditional values in a period of great social upheaval.
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Trans/Figure/Ground
2016
A film about uncanny valleys and the space between. Painted 16mm film undergoes a monstrous transformation becoming neither analog nor digital.
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Divisional Articulations
2017 Β· β 5
Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, spawning arrays of divisional articulations in time and space.
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Perspectrum
1975 Β· β 10
In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the koto, a 13-stringed Japanese instrument.
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Keyhole Conversation
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Peter Larssonβs Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.
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Shearing Animation
1962 Β· β 6.8
An abstract animated film inspired by the work of jazz musician Chico Hamilton.
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