Listen
2016 · 58m · Documentary
Documentary without audio produced by deaf people. Music is depicted visually with the complete absence of musical instruments or voices. Directed by Makihara Eri and choreographer Dakei. With a diverse lineup including ordinary deaf people with zero acting experience and a choreographer who performs in Japan and abroad, this film pulls out all the tops to give visual expression to music through the physical body. An aging man uses multiple sign language poems to convey the four seasons, and a girl expresses the wind amidst the rustling trees.
More Like This

Sensible Soccers: Manoel
2025
"Manoel" captures Sensible Soccers' journey as they celebrate a decade together as a band by reimagining soundtracks for Manoel de Oliveira's classic films. The documentary delves into the poetic intersection of cinema and music, revealing the delicate harmony between these two timeless art forms.
More info →
Rhapsody Over London
2022
Experience the energy from one of Queen + Adam Lambert's TEN sold out 2022 concerts at London’s O2 Arena in a live concert film delivered digitally to your home. The band will also be participating in a LIVE Q&A where they will answer fan-submitted questions from backstage at one of the final Rhapsody Tour concerts to introduce the show.
More info →
Bobbi Jene
2017 · ★ 5.6
A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.
More info →

As the Palaces Burn
2014 · ★ 7.3
As the Palaces Burn is a feature-length documentary that originally sought to follow Lamb of God and their fans throughout the world, to demonstrate how music ties us together when we can’t find any other common bond. However, during the filming process in 2012, the story abruptly took a dramatic turn when lead singer Randy Blythe was arrested on charges of manslaughter and blamed for the death of one of their young fans in the Czech Republic. What followed was a heart-wrenching courtroom drama that left fans, friends, and curious onlookers around the world on the edge of their seats.
More info →
Nico: In Memoriam
1989
"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.
More info →
Skin Pain
2013
Piel dolor (Skin Pain) explains how power is structurally sustained in violence. Its nature and the relationships it establishes in society are based more on the imposition and use of force than on building consensus, dialogue, and respect for diversity. In that sense, power is a behavior that seeks dominance through force and man as a gender, becomes an instrument of violence that is exercised against the weakest. Extinguishing the socially constructed violence means eliminating the current power and its historical sustenance, questioning the source of origin, religion, ideology, the system and its values. Is that utopia possible?
More info →
Appalachian Spring
1959 · ★ 5.3
A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.
More info →
The Rusalia Customs of Gevgelija
1957
A testimony to the performance of ritual dances. Although they were performed only during the so-called “unbaptized days”, the 12 days between Christmas and Epiphany in the Orthodox Christianity, these dances are associated by some researchers with the Roman rosaries, the cult of the dead. Ritual clothing and the use of wooden swords to disperse the demons are important props in the dances that are believed to protect the folks from temptations and demons until they are baptized.
More info →
Metallica: This Monster Lives
2014 · ★ 5.8
Ten years after the release of their controversial documentary Metallica: Some Kind of Monster, filmmakers Joe Berlinger and Bruce Sinofsky catch up with the members of the band at the 2013 Toronto film festival world premiere of their 3D feature film, Metallica Through the Never, using the premiere of the new film as a springboard to reflect upon the legacy of Some Kind of Monster, its influence on the band and their experiences during the decade since its release.
More info →