Ahasverus
1962 · 12m · Documentary
Short experimental 16mm film.
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Astrophysicist Jean Surdej brings a small group of teenage pupils on a trip to the Lofoten islands in northern Norway, for a very special class on the solar system. Using the geography of the archipelago to illustrate the distances between the planets, they journey through space by car and ferry, with the picturesque landscapes standing in for the black emptiness that surround the heavenly bodies. A masterstroke of both pedagogy and filmmaking, Children of Stars is a captivating documentary about humanity's place in the grand scheme of things.
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Oslofilm: Oslo. Et vinterturistsentrum
1947
On a winter weekend, Oslo has much to offer, from skiing trips and cabins in the surrounding forests to urban nightlife in the city center // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.
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Bliss
1967 · ★ 8
The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.
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2005 · ★ 4
An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.
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2000 · ★ 5.7
Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.
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2002 · ★ 5.8
Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.
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On the Heights All Is Peace
1998 · ★ 6.8
Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.
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Running Shadow I
1971 · ★ 5.5
Rapidly changing images of natural objects, scenery, animals, plants, and people flicker, flash, tumble, and cascade across the screen.
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2minutes40seconds
1975
One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.
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Todo Todo Teros
2006 · ★ 5.2
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
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Refrains Happen Like Revolutions in a Song
2010 · ★ 6.5
Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”
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1942 · ★ 9
An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.
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