
Lost in America
2019 · 85m · Documentary
Following director Rotimi Rainwater, a former homeless youth, as he travels the country to shine a light on the epidemic of youth homelessness in America.
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Hotel 22
2014 · ★ 6.5
Each night in Silicon Valley, the Line 22 transforms from a public city bus into an unofficial shelter for the homeless in one of the richest parts of the world.
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Petit Rempart
2025
Mariem, 53, a former estate agent, has been living at a shelter for several months. Surrounded by women in far more precarious circumstances than herself, she tries to regard her unprecedented social downfall as an immersion in real life. By the time she leaves, Mariem’s view of the world will have changed forever, enriched by all the women she has met along the way.
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Un jour ça ira
2018 · ★ 8.3
Djibi and Ange, two teenagers living on the streets, arrive at the Archipel, an emergency shelter in the heart of Paris. This documentary is a look at the Archipel, a shelter offering an innovative way to welcome families living on the streets.
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Living in Tents
2018
In January 2011 Paul Crane discovered a tent city in downtown St. Louis, along the Mississippi River. He was curious as to who these people were, how they ended up there, and what life was like for them each day. He initially thought he would simply go down during the day and capture footage when possible, but he quickly realized that if he wanted to truly capture how these people lived and the full reality of their collective and individual existence, he would have to be there full time and become a part of the place, so he moved in with them.
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This is an Address
2026
Stonewall veterans (including prominent trans activist Sylvia Rivera) and HIV-positive New Yorkers take up residency on the Hudson River piers as cranes raze vacant buildings for a new skyline.
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2017
Los Angeles MacArthur Park has a notorious reputation. Located right on a cross of different gang territories, it became associated with drugs, violence, and its diverse homeless population: undocumented immigrants, abandoned veterans, transgenders, people who lost their job, and people with disabilities who can’t afford healthcare. For a course of 3 months, I visited MacArthur Park filming those who live there. Many of those people came to the US with a dream to find heaven. And LA indeed looks like one. My goal was to show this dramatic contrast between heaven and its tragedy.
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Displaced Souls
2024 · ★ 10
Located in Carcavelos, Quinta Nova de Santo António, or Quinta dos Ingleses, as it is recognized by the population, shelters a small community of people affected by the housing crisis. Natives and immigrants, deprived of a roof over their heads, carry on with their lives in search of better opportunities and a breeze of change. Guided by residents' voices, this documentary is based on the adaptability of human beings in the face of life's adversities and their constant pursue of happiness.
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Carts of Darkness
2008 · ★ 6.9
In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.
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We Were There to Be There
2021
On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.
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Motel
2017
As Niagara Falls transformed from honeymoon capital of the world to Las Vegas North, corporate hotel chains and casinos cast a long shadow over the independent motels that once populated the town. The Continental survived the transition by converting its rooms into affordable housing units, becoming a home for those with few places to go. The night manager, Brian, once a freelance photographer who survived the horrors of war in Vietnam, shares his duties with his colleague Linda. Together they manage both the Continental and the individual struggles of its tenants, providing more than a roof over the heads of those who live under their supervision. Bringing a fresh focus to one of the most photographed places on Earth, director and cinematographer Jesse McCracken develops an intimate and caring portrait of the residents of this modest micro-community set against the backdrop of neon-lit tourist attractions.
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