
René van Meurs: Even Goede Vrienden
★ 7 · 2019 · 84m · Comedy
René came across himself at some point, just as everyone sometimes encounters themselves. From that moment one cannot help but ask: "Am I still good friends with myself after this shit?"
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Emilio Guzman: Doen en Laten
2011
A nice boy. That is-ie. Emilio Guzman. He will not fight. Does not seek conflict. He just wants it to go well with everyone. Everyone does what he can not leave. But unfortunately the world is not like that. Underdevelopment prevails. Tension. Anxiety and aggression determine Doing our affairs. Even late Emilio conduct regular surprise. While he was still a nice guy. And smart. He wants to understand what is going on. And why that's happening. And how it could run out. That hand so Ever chose Leiden Cabaret Festival Audience him the winner of one of the strongest ever finals. Now he takes the side of his audience. Not to say what they want to hear. But because he wants to be understood. And that can not leave. Let? We say do it!
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Kommil Foo: Breken
2012
Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'
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Kommil Foo: Wolf
2008
Stage registration of the thirteenth show by the Flemish cabaret duo Kommil Foo. About man and his everyday tragedy. And that that man is a wolf to his fellow man...
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Louise Korthals: Alles Is Er
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TV-adaptation of the fourth solo show by Dutch comedian Louise Korthals. In her own words: "This show is about what we pass on to the next generation."
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The First One Woman Show from The Netherlands nr. 1 Female Comedian Tineke Schouten.
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Pieter Derks: Van Nature
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Maarten van Roozendaal: Barmhart
2008
This theatre performance is built around the 'seven corporal works of mercy'. Comedian Maarten van Roozendaal tells and sings about life, death, love, spring and bears. He is accompanied by Egon Kracht on double bass and Marcel de Groot on guitar.
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Maarten van Roozendaal: Het Wilde Westen
2009
In this theatre show Maarten van Roozendaal, double bassist Egon Kracht and guitarist Marcel de Groot "celebrate" the "achievements" of Western civilization. However, the ambitious pursuit of wealth, happiness and freedom also appears to have a downside.
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Theo Maassen: Ruwe Pit
1998 · ★ 6.3
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
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