B movie

The Dolls of Lisbon

2011

The Dolls of Lisbon is NYC's Antagonist Art Movement's latest exploit inspired by the Zapatista Dolls of Mexico, a souvenir that traveled the world symbolizing a rebellion against the legacy of Andy Warhol's commodification of art.

Salvador Dalí at Work

1964 · ★ 5

Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

Basquiat, Une Vie

2010 · ★ 8

From Brooklyn to the Bronx, Soho to Greenwich, Union Square to Wall Street... Join us and the friends, collaborators and gallery owners who supported Jean-Michel Basquiat throughout his life. The first ever recognized graffiti artist, who saw international success as a neo-expressionist painter in the 80s, Basquiat is a true contemporary hero who died at the peak of his career.

Roundabout Art

2020

In Europe, road junctions have become public art galleries. A road trip across France, Switzerland, the Canary Islands, Greece and Germany exploring the glorious world of roundabout art.

It's Time

2006 · ★ 8.2

C1RCA Footwear presents it's full length video with team members Adrian Lopez, Jon Allie, Colt Cannon, Peter Ramondetta, and others.

Margaret Kilgallen: Heroines

★ 9

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

Dirty Handz 3: Search And Destroy

2006 · ★ 10

The third and final episode of the Dirty Handz trilogy was released in 2006, but all events took place before 2001. This video symbolises the culmination of the controversial activity of the graffiti artists through a retrospective look at the actors. The film is entirely made by members of the SDK crew and follows a European tour of one of their members, tired of the monotony of the Parisian environment. There is an analysis of the different operational techniques writers use in each country.

Jisoe

2005 · ★ 10

A year in the life of troubled Australian graffiti artist Justin Hughes.

Beautiful Losers

2008 · ★ 6.5

This documentary follows the lives and careers of a collective group of do-it-yourself artists and designers who inadvertently affected the art world.

Sinfonías de ciudad nº 3. Amor.

No synopsis available.

The Lost Leonardo

2021 · ★ 7.2

London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.

Art as a Weapon

2014 · ★ 6

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.