Masterpiece or Forgery? The Story of Elmyr De Hory
★ 0.5 · 2008 · 51m · Documentary · History
Elmyr de Hory was called "The Myth of our Century" when he was revealed as a master forger in 1968. Born in 1905, he made an estimated 1000 fake paintings, primarily in the style of the post-impressionists before he died - or disappeared - in 1976. In addition to faking paintings, Elmyr de Hory often faked his own identity, and traveled easily throughout Europe's high society.
More Like This
The Passion of Joan of Arc
1928 · ★ 8
A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.
More info →
Thomas Hart Benton
1989 · ★ 7.8
Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.
More info →
“The Ambassadors,” the hidden side of the world
2025
A Renaissance masterpiece painted by Hans Holbein the Younger, “The Ambassadors” is teeming with details and hidden messages. By deciphering the enigmas of the canvas, this documentary recounts a troubled era in which advances in knowledge were intertwined with brutal political and religious upheavals.
More info →
Visite à Oscar Dominguez
1947 · ★ 5.7
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.
More info →
Bone Wind Fire
2011
A journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - three of the 20th century’s most remarkable artists.
More info →
Speaking of Abstraction: A Universal Language
1999
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."
More info →
Panoramas of War
2018 · ★ 6.3
The end of the Franco-Prussian war (1870-71) saw the birth of the panoramas of war, huge circular paintings depicting scenes of war, cruelty and desolation that were contemplated by thousands of spectators, a kind of inmersive static newsreels, a mass media prior to the era of mass media, a virtual reality on canvas.
More info →
I, Claude Monet
2017 · ★ 6.2
From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favourite artist – through his own words. Using letters and other private writings I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries. Despite this, and perhaps because of it, Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, suffered from feelings of depression, loneliness, even suicide. Then, as his art developed and his love of gardening led to the glories of his garden at Giverney, his humour, insight and love of life is revealed. Shot on location in Paris, London, Normandy and Venice I, Claude Monet is a cinematic immersion into some of the most loved and iconic scenes in Western Art.
More info →
Margaret Kilgallen: Heroines
★ 9
"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).
More info →
La pasión del Prado
2016 · ★ 7
A journey through four hundred paintings, all masterpieces, among the more than nine thousand treasured in the Prado Museum, Madrid, Spain.
More info →