Made in Jamaica
★ 7 · 2006 · 120m · Documentary · Music
A powerful portrait of the leaders of the reggae music Movement, and how Reggae has become a worldwide phenomenon. The film showcases performances by the best Reggae and Dance Hall artists ever assembled. From their native ghetto to international fame, "Made in Jamaica" is the story of the artists who represent the Jamaican Dream.
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The Harder They Come
1972 · ★ 6.6
Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.
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White Riot
2020 · ★ 6.1
Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.
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The Lure and the Lore
1988 · ★ 9
A collaboration between filmmaker Ayoka Chenzira and performance artist Thomas Pinnock, who performs his "immigrant folktales" using traditional lore of his native Jamaica to dramatize his migration to New York in the 60's.
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Promoe: Standard Bearer
2007
"Standard Bearer" chronicles the recording of Swedish rapper Promoe's album "White Mans Burden". It features studio recordings from the making of the album in Kingston, Jamaica and Malmö Sweden. The documentary contains guest apperances by Capleton, Assasin, DaVille, Fantan Mojah, Lady Saw, Leeroy from Saïan Supa Crew and a flashback from the making of Looptroop's "Hurricane George" with Timbuktu, Chords and the DVSG family in 2004.
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Urgh! A Music War
1981 · ★ 7.4
Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.
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Play It Loud! How Toronto Got Soul
2024
In early 1960s Toronto, a white, Anglo-centric city, an underground music scene emerged from the Jamaican diaspora, led by newcomers like Jackie Mittoo, Wayne McGhie, and a young Jay Douglas. Battling racism and indifference, they left a lasting but underrecognized mark on Canadian music and culture. Nearly 60 years later, Jay Douglas still champions Jamaican music and is finally receiving long-overdue recognition. Play It Loud is a feature documentary that tells the little-known story of how Jamaican music became a vital, unlikely part of Canadian culture. It traces a cultural migration that made Canada a global hub for Jamaican music - celebrated abroad but overlooked at home. Told through the life and music of beloved singer Jay Douglas, born Clive Pinnock in rural Jamaica, the film follows his journey from teen performer to enduring icon.
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Awake Zion
2013
Awake Zion explores the connections between Rasta, Reggae and Judaism, through one woman's beat-laden adventure into the meaning of identity. All the way back to the alleged sultry affair between the Jewish King Solomon and the African Queen of Sheba, Jewish influence is evident in the spiritual history of Ethiopia - turning up subtly in Rastafarian lifestyle and then, inevitably, in reggae. Unravelling the story of this unlikely kinship, Awake Zion unites Jewish and Jamaican musicians, scholars, and historians in a celebration roots and culture - traveling from Crown Heights, Brooklyn, where Caribbean and Jewish cultures share a history of adversity - to Jamaica, the birthplace of reggae - and ultimately to Israel, where a sizzling reggae scene thrives today. Awake Zion examines the preconceptions of what it means to be Jewish, what it means to be Rasta, what it means to be white or black - and, most importantly, the universal search for what it means to be "home".
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Dub Echoes
2008 · ★ 6
“Dub Echoes” is a documentary that traces the origins of the Jamaican dub music and it’s influence on the development of hip hop and electronic music.The film shows how the Jamaican invention called dub ended up influencing much of the music we hear today, from electronic music to hip-hop, transforming the studio in a musical instrument and giving way to all of sonic experiments.
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UB40 - The Collection
2002 · ★ 6.5
Over the course of more than two decades, Birmingham's UB40 have become global ambassadors for reggae, a journey captured perfectly on The Collection. This programme is split into two main sections: a 26-track video collection and a documentary detailing their 20th anniversary concert in September 2001. Forgoing chronology in favour of a more random approach, the video selection is slightly disjointed on a visual level, leaping from decade to decade within the space of a couple of tracks. While they have never made a truly great video (most feature the band lip-synching in various places around the world) UB40 have certainly been prolific over the years. "One In Ten" and "Food for Thought", their earliest work, represented the sound of young, multicultural Britain just as well as the more lauded Specials. And while there have perhaps been a few too many covers in recent times, it is hard to deny the effectiveness of "Red, Red Wine" and "Kingston Town".
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Born in-a Babylon
2000
A portrait of Rastafarians living in Tottenham at the start of the new millennium.
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Nuff Respect: North Zone Connection
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An independent crew organizes sound system-style events for their community in the far north of São Paulo, using reggae music as a central form of cultural expression and resistance. Through pulsating bass, street parties, and collective gatherings, they transform public space into a vibrant platform for the identity, memory, and voice of the urban periphery.
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