Défense d'afficher
1958 · 8m
Study of posters and graffiti on the walls of Paris, using ellipses, brief shots and quick camera movements. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2000.
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The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.
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The encounter of a wound, a body and a city results in the alteration of the whole.
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A philosophical contemplation of the author about finding and losing yourself and the other in yourself. The film traces the opposition of photography and cinema.
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In this film, Edward Sheglanov wanted to present a person as an element of language, and see how a sign lives. The film came together spontaneously, influenced by charming stories about the jazz improvisation of Cassavetes’ films. The author associates this image with the beginning of the garrulous and fruitless 1990s.
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News broadcast interlaced with footage of people doing bizarre, senseless acts.
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God Respects Us When We Work, But Loves Us When We Dance
1968 · ★ 5.7
Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.
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