For Your Convenience
★ 6.5 · 1939 · 9m · Documentary
In this short film's four segments, "Bowery Beautician", "Chutes", "Home Brew", and "Girth Control", the viewer is shown how certain conveniences and inventions aid the user.
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1956 · ★ 9
A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".
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Brasilia, Contradictions of a New City
1968 · ★ 7.7
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
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1959 · ★ 6.8
Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).
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Land Without Bread
1933 · ★ 7.1
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
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Aagaman
1980 · ★ 5.8
To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.
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Antigravitation
1995 · ★ 5.2
An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
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Larisa
1980 · ★ 6.3
Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.
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1959 · ★ 6.9
A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
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Lodz Symphony
1993 · ★ 6.2
A portrait of Łódź, Poland that exists in a time-warp of sad memory.
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