Child of Nature

Land Without Bread

1933 · ★ 7.1

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

BLIND_CITY

2021

Images complement what is always lacking in words. The poems complement what is always present in the city. Freely inspired by the poetry Cidade City Cité, by Augusto de Campos.

Nous paysans

2021 · ★ 7.8

In barely a century, French peasants have seen their world profoundly turned upside down. While they once made up the vast majority of the country, today they are only a tiny minority and are faced with an immense challenge: to continue to feed France. From the figure of the simple tenant farmer described by Emile Guillaumin at the beginning of the 20th century to the heavy toll paid by peasants during the Great War, from the beginnings of mechanization in the inter-war period to the ambivalent figure of the peasant under the Occupation, From the unbridled race to industrialization in post-war France to the realization that it is now necessary to rethink the agricultural model and invent the agriculture of tomorrow, the film looks back at the long march of French peasants.

The Good Canadian

2025 · ★ 5.5

The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.

Pura

No synopsis available.

Raíz y Miajas

2024 · ★ 10

No synopsis available.

Double Exposed

2018

Filmmaker Julie Buck explores her grandfather’s collection of Super 8 footage; the revelations behind the captured moments of joy reveal dark truths.

Daughters

In hopes of building a closer relationship, a girl sits down with her mother, seeking to hear her experiences and aspirations growing up. What starts as a revisit of her mother’s past turns into a revelation about love and the weight of unspoken needs.

Fier.e.s, la voix du Pacifique

2024 · ★ 8

In French Polynesia, transgender people evolve with apparent fluidity in all components of society. Their presence, observed as early as the 18th century by Western travelers and missionaries, has never ceased to intrigue and fascinate, producing over time numerous myths that the transgender women and men of Polynesia are today attempting to deconstruct. Through a series of luminous and intimate portraits, this documentary gives them a voice and proposes a rereading of gender issues in the light of Oceanian thought: an obvious enrichment.

Sisters

1999 · ★ 9

Two old sisters, living in the same Warsaw apartment, sit on a bench and talk. The 87-year-old elder one seems to care for the other reluctantly and treat her badly. The younger, who is said to be clumsier, has walking problems.

Benek Blues

2000 · ★ 6.5

The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedridden, live in a fascinating symbiosis. The son, a well‑known photographer Bernard ben Dobrowolski, is lying in bed because a chronic condition has deformed his body and immobilized him. The father, Dominik, has recently suffered from a stroke. Now they are taking care of each other and crowds of visitors move through their room.

The Beksińskis. A Sound and Picture Album

2017 · ★ 7

Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.