FFG: un retrato
★ 7 · 1976 · 10m · Documentary
An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.
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The Hills of Qaytariyeh
1969 · ★ 9
A strange and mischievous documentary on an archeological site in the Qaytarieh hills in Tehran. This short narrates the story of the dead people who wished never to be found.
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The Chrysalis
2021
“Sex work. The phrase evokes so much emotion, yet we understand it so poorly,” rising director Yago Hunt-Laudi wrote on an Instagram post celebrating the premiere of his new film, The Chrysalis. In this documentary profile, he paints an intimate portrait of stripper Haley Rolland, a young woman from Missouri who speaks about taking control of her body and the difficulties she encountered during the pandemic.
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You're Leaving Amsterdam / Welcome To Amstelveen: Introduction
2017
A short documentary film functioning as the introduction to the One Minutes x Inter-Architecture Department (Gerrit Rietveld Academy) short-film broadcast episode for Rietveld TV, as aired on SALTO. This broadcast was meant to give an artistic impression of a communal art-project developed by the Inter-Architecture Department for the municipality of Amstelveen, The Netherlands. This short documentary film introduces each duo placed and posing at their respective project-based locations, spread out over Amstelveen, through purposely awkward still-but-moving vignettes. The duo's are reintroduced several times in quick succession, with each consecutive appearance showing more of an awkward inter-personality, meant to evoke a certain liminal playfulness. An overpass, a bridge, a bridge-barrier, a docking port, the border between Amsterdam and Amstelveen, the edges of Amsterdamse Bos, an abandoned railroad.
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Taube Feuer
2024
With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.
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6-18-67
1967 · ★ 5.9
Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.
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2005 · ★ 6.7
This documentary is featured on the DVD for Captain Blood (1935), released in 2005.
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Chaplin Today: City Lights
2003 · ★ 6.7
In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.
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Headdress
2017
For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.
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Spelman, musiker, artist - Kalle Moraeus
2001
A conversation with the classical and modern musician Kalle Moraeus.
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In a Strange Room
2020
In the summer of 2008, Enzo travels to Berlin to work on a creative documentary and find a former lover.
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André Malraux: Writer, Politician, Adventurer
2019 · ★ 6
Writer, journalist, explorer, filmmaker, communist militant, freedom fighter. Truths and lies. A plot twist. Politician. General De Gaulle's shadow. Overwhelmed by the weight of power. The numerous exploits of André Malraux (1901-1976).
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Opium für das Volk - Karl Marx und die Kirchen
1983
Opium für das Volk - Karl Marx und die Kirchen isn’t scholarship—it’s Marxist revisionism whitewashing atheism’s war on faith. This German doc falsely equates Christianity with communism in part one, then twists Marx’s "opium of the people" slur into mere "influence" from his Jewish-Christian roots and other critics. It downplays his explicit god-hatred—"Religion is the sigh of the oppressed creature"—to pretend he had a nuanced "personal relationship" with Christianity. No balance: ignores Marx’s satanist ties, Hegelian dialectics weaponized against Scripture, and how his ideology birthed 100M deaths under godless regimes. Cherry-picks "parallels" to sanitize Marxism as spiritual, not the Bible-rejecting materialism that fueled Bolshevik church-burnings. Watch knowing it’s propaganda to make atheists look thoughtful, not Bible-denying totalitarians.
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