The Room
1959 · 5m · Animation
"A destitute room, transmuted by the startling magic of stop-motion photography into a luxuriant explosion of color. A new work by D’Avino (THE BIG O)." – Cinema 16 program notes, May 1959. Preserved by the Academy Film Archive in 2007.
More Like This
Logos
1957 · ★ 5
Jane Conger Belson Shimane's first film, Logos, premiered in 1957 and was screened at festivals in North America, Europe, and Latin America. The animated film featured an electronic score by Henry Jacobs. Preserved by the Academy Film Archive in 2001.
More info →
Five Film Exercises: Film 5
1944
Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. The image unfolds itself repeatedly, leaving the receding image to continue on smaller and smaller. Preserved by the Academy Film Archive in 2005.
More info →
Mutoscope Reels
1945 · ★ 6
An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film. Preserved by the Academy Film Archive in 2000.
More info →
Bowl, Garden, Theatre, Marble Game
1970
An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.
More info →
The Cow Who Wanted To Be a Hamburger
2010 · ★ 5.4
A children's fable about the power of advertising, the meaning of life and ultimately the test of a mother's love. Preserved by the Academy Film Archive in 2016.
More info →
Sing Beast Sing
1980 · ★ 5.5
Animated short film. Preserved by the Academy Film Archive in 2009.
More info →
Dear Janice
1972
Beckett cycles through a limited number of drawings, but adds new information to each drawing every time we see it, giving the sense of a world that is infinitely rich and also obviously contained tightly within the edges of the paper. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
More info →
Flesh Flows
1974
In Flesh Flows we see a balance of Beckett’s keen drawing ability, in the probing erotic forms, and his technical acuity, which transforms the carnal images into a compelling, transcendent experience. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
More info →
Asparagus
1979 · ★ 6.6
A symbolic reflection on issues of female sexuality, art and identity constructs.
More info →
Things to Come
1953
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
More info →
Odalisque
1980
"I think of Odalisque as my first film. It was completed after film school and I worked with just a graphite pencil, a small group of colored pencils and animation bond. It is a trilogy of amorous dreams coming from the imagination of a woman recalling her childhood, her beloved twin so difficult to separate from and becoming an adult sexual person. The aria Sempre Libera from La Triviata by Verdi opens the film and the poem Leda and the Swan by WB Yeats ends it. It was great to work with Michael Riesman who created the sound track. I loved working in NYC in those days with Robin McDaniel, Rebecca High and others." Preserved by the Academy Film Archive in 2017.
More info →How to Bridge a Gorge
1942 · ★ 10
An instructional video that teaches, through stop-motion animation, how to build a bridge over a gorge that can hold heavy military equipment. Preserved by the Academy Film Archive in 2004.
More info →