Thomas Edison Was Afraid Of The Dark: A Film About Communication

Dogville

2003 · ★ 7.7

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

Metaverse of Madness

2022

The world is getting more modern, people are starting to try to use metaverse technology. This gave rise to new ways of having fun, worshiping gods, and even strange ways of living.

The Hunched Donkey

2009 · ★ 5

After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.

Oh! My Mother

1969

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

Manolis

Distorted memories, hidden rituals. The journey of a soul returning to its essence through a silent funeral.

Grid

2021 · ★ 6

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Hades of Limbo

2012

A bleak, cryptic vision of life in contemporary Iran that eschews overt social commentary in favour of a very personal vision of stifled lives. Directed remotely by Rashidi from Ireland over Skype, the making of this unique film reflects the alienation it so compellingly portrays.

Running Fields II

2024

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

Jean Speck (1860-1933)

2012 · ★ 10

Little is known of Jean Speck (1860-1933) beyond the fact that he opened Zurich’s first cinema. Rouzbeh Rashidi and Jann Clavadetscher consider the flittering black and white ghosts and shadows that he left in his wake in their phantasmagorical experimental feature film. This journey through a cinematic night probes the very essence of the cinematic image.

Indwell Extinction of Hawks in Remoteness

2012

An intimate stream of memories reaching out across time and space, taking on a uniquely experimental form that cuts the viewer adrift in a weave of old footage rising to the surface of consciousness like a dream.

Mutual Admiration Society

2014

Surreal and mysterious, in equal parts absurd and intense, Mutual Admiration Society is part of the noted multi-film collaboration between actor James Devereaux and experimental filmmaker Rouzbeh Rashidi. Based entirely around a silent, tour-de-force one-man performance by Devereaux as a man who appears to be haunting and threatening himself, Mutual Admiration Society uses startling visual techniques and editing rhythms to create a claustrophobic hall of mirrors with Devereaux’s tormented protagonist at its centre.

Persistencies of Sadness & Still Days (Take 1)

2012

“Persistencies of Sadness & Still Days”, is a four hour feature film by Maximilian Le Cain and Rouzbeh Rashidi. Structured in two sections or ‘takes’ of two hours each, this dream-like, experimental project offers two complementary explorations of cinematic form that skirt around possible narratives, ducking through a series of fluctuating audio-visual categories and intensities.