Flooded McDonald’s

Confessions of a CEO: My Life in an Out-of-Balance World

2025

A bare-knuckled critique of corporate America told through the powerful true story of a toxic CEO who evolves from a profits-over-people, philandering executive to an unorthodox leader, populist messenger, and mentor to American influencers. It’s a story of growth, redemption and the impact of self-awareness on leadership and life.

The Statue of Giordano Bruno

2005

This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.

A lo Mejor Algún Día

No synopsis available.

Everything is Everything

2007

On the occasion of the Taipei Biennale, Me, my friends and my gallerist went to Taipei city, then found mere materials in daily use which is you can easily find in most of asian city. We were collecting the moment of improvised "performance" with those objects to activate possibility of how we could see things differently. Originally made in 2006 for the installation version. And in 2007 I edited it into single channel.

Mimaroğlu Remix Project

2025

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has found new life through art. Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.

No Ordinary Protest

2019

Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Karikis. The video section of the installation features seven-year-olds from Mayflower Primary School in East London discussing the novel's environmental themes.

El siglo de las luces

2017

No synopsis available.

Art in Smog

2018

ART IN SMOG offers an intimate, philosophical glimpse of contemporary China, experienced through the work and lives of four artists and a curator. Footage from 1991 and 2016 documents a changing world. SU XINPING and XIA XIAOWAN were young graduates of the Central Academy of Fine Arts who dreamed of modernity in 1991. As intellectuals, they probed human nature and self-knowledge. Now, a deep unease pervades their visual images. MUSHI, a self-taught artist enamored of modern art, could not survive in Beijing and returned to his hometown, Chongqing. How has he made a living, then? CHEN HUI, a talented art student, fell in love with Xia Xiaowan. Twenty years later, she wants her own identity and career. CUI CANCAN, a quick-witted rural child, has seized the day to become a fast-talking international curator. The film is a visual record of China in the throes of transition.

Why Do I Keep Looking at Myself?

A short film that answers the question asked in the title. A brief introspection.

Leaders of Madison’s Black Renaissance

2022 · ★ 8

Despite Blacks making up only 7% of Madison WI's population, they are leading in so many important areas from education to politics, and are launching so many multi-million dollar projects that people describe this period as a "Black Renaissance."

Viva video, video viva

2020

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.

Wintopia

2019 · ★ 10

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.