Pride of the Buffalo Soldier
2017 · 5m · War · Documentary
African American soldiers throughout the 19th and 20th Centuries faced discrimination and segregation, yet many still chose to fight for their country.
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2016
This documentary offers a deep, candid, and historical look at the Christian experience of America's largest and best-known tribes: the Dakota and Lakota. Its exploration into Native American history also takes a hard and detailed look at President Ulysses S. Grant's Peace Policy of 1873, which was, in effect, a "convert to Episcopalianism or starve" edict put forth by the American government in direct violation of its Constitution. The devastation it had on the values of the people affected were dramatic and extremely long-lasting. Grant's policy was finally ended over 100 years later by the Freedom of American Indian Religions Act in 1978. Interlaced with extraordinarily candid interviews, this documentary presents an insider's perspective of how the Dakota and Lakota were estranged from their religious beliefs and their long-standing traditions.
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2016
Chronicles over four centuries of African American influence on the development of the modern-day United States. Before Plymouth Rock and Jamestown, St. Augustine, FL had built a multicultural colony of free and enslaved men and women. This small colony would eventually set the stage for the first Underground Railroad in the late 1600s. Then, 300 years later, be the epicenter of events that would lead to the passage of the Civil Rights Act of 1964.
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2015 · ★ 6.5
In September 2012, the tiny prairie town of Leith, North Dakota, sees its population of 24 grow by one. As the new resident's behavior becomes more threatening, tensions soar, and the residents desperately look for ways to expel their unwanted neighbor.
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2018 · ★ 5.5
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2007 · ★ 7.5
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The film marks the 30th anniversary of the SOS Racismo Movement and gives voice to participants in the debate on racial issues in Portugal, bringing together multiple testimonies from racialized, black, gypsy, and migrant communities, as well as contributions from various figures in social and political mobilization, reflecting the intersectionality, diversity, and transversality of the various fronts in the fight against racism. As a tool for debate, mobilization, and awareness-raising in the fight against racism, this documentary aims to contribute to the development of effective political responses to racial discrimination.
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1995 · ★ 9
A multi-racial group of college students in a weekend racial sensitivity workshop discuss affirmative action, self-segregation, internalized racism and cultural identity. The film continues as they return to their campuses (University of Massachusetts, Texas A&M, Chico State, and U.C. Berkeley) and visit home.
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Where God Likes to Be focuses on three young protagonists full of hope and promise - Andi Running Wolf, Edward Tailfeathers, and Douglas Fitzgerald - following them over the course of a summer that marks a turning point in all of their lives. Each grapples with whether to leave, pursuing opportunities far from home, or stay behind with friends and family potentially struggling with limited opportunity and marginalization. A picture emerges of the reservation as a cherished home that nurtures identity.
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2018 · ★ 10
It’s been widely reported that Detroit is making a comeback, but long-term residents of Detroit’s mostly black neighborhoods aren’t seeing much benefit. Crime, lack of opportunity and infrastructure problems still persist. Community Patrol explores neighborhood self-policing through the eyes of Minister Malik Shabazz, a long-time Detroit activist and community organizer. Determined that more black men don’t end up in jail or killed, the minister confronts drug offenders directly rather than reporting them to the police.
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The documentary tracks the diva's difficult progress as she emerges from the tough, testosterone-fuelled world of the big bands of the 30s and 40s, to fill nightclubs and saloons across the US in the 50s and early 60s as a force in her own right. Looking at the lives and careers of six individual singers (Billie Holiday, Ella Fitzgerald, Peggy Lee, Sarah Vaughan, Nina Simone and Annie Ross), the film not only talks to those who knew and worked with these queens of jazz, but also to contemporary singers who sit on the shoulders of these trailblazing talents without having to endure the pain and hardship it took for them to make their highly individual voices heard above the prejudice of mid-century America.
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